42 Article found
In today’s economic world, is one of the most important successful factors for companies, organizations, unions, organizations, and ... the satisfaction of their customers. To satisfy customers, it is imperative that a company, organization and Union define their activities and actions around customer needs, wants and expectations.
Publish Date : 1398/07/15
Creator : (The Chief Executive Officer in the Hand-made Carpet)
A half look at the design of the master's design
It is not possible to explain the art of the master of Rasht without the recognition and definition of rural rugs. It should be known that rural women of Persian civilization did not hand in rug tissue for income or material production. Our early ancestors believed that the world did not comply with laws outside our minds, and that the outer world was built or dependent on our intellectual structure, and that for the realization of our dreams and desires, we would only be mentally focused on that desire or wish, then in the outer world. The rural woman did not intend to sell or create artworks to carpet tissue, but believed that if she created her dreams in a world like rugs, she would be found in the outer world. It is media. The mass media of the people of this land, however, came when the West realized the importance of these historical documents and tried to collect these documents. As the demand for the media increased, other artists were added to the Jerga and made plans for the rug that had been mentally ill until then and produced in urban workshops. But the master of the city had abandoned the race of the city, and he started his first rug with a plan that had not reached anyone’s mind until that time.
Publish Date : 1399/03/19
Creator : And the shame of Muhammad
Natural color detection method from artificial
In this article, it has been tried to express very practical ways of recognizing natural colors from artificial colors in hand-made rug fibers.
Publish Date : 1400/06/14
Creator : conductors of the world (the senior expert in the management and economy of the rug)
In the field of Iranian hand-made carpets
Forum & Rob; to category &; you are told that to't;; voluntarily, they come together to think together in a field; and tai;strong > Trade Forum; a forum in which people have the same is therefore the most important point among members of a business forum in the first place to perform the same activity and profession and then to have a common purpose, language and concern in their business field that come together with confidence.
Publish Date : 1402/07/09
Creator : (The Chief Executive Officer in the Hand-made Carpet)
Do not compare hand-made rugs with any other floor...
Publish Date : 1402/08/05
Creator : (The Chief Executive Officer in the Hand-made Carpet)
Mainness, transparency and dignity, three basic principles of Iran’s interconnected complex
Publish Date : 1402/11/14
Creator : Research and Development Unit of Iran's Association
"It is a world that is calm.And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.He has it.: Time time.A rare and unique element in human life that is not the same.He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.O thou who hast spoken unto me,And he who has always taken a deep and different look at the Iranian carpet.Fer, Professor of Kashan University and researcherThe familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.But in the depth of the Iranian carpet, they have a strong and historical presence.They can restore us to our inner, calm and authentic life again..And they say some of their precious words.I will.
Publish Date : 1405/01/22
Creator : The knowledge of the knowledge of the master.
Time in the context of nodes: Philosophical reflection on the concept of time in Iranian rugs
In a world where speed is measured.So fast, the discourse is the master of everyday life, the arts that invites us to the moment, reflection and presence.They need more than ever.In this case, the Iranian rug, with a thousand years of history and a lasting effect, is like a cultural context that not only returns time.Rather, it is recorded in itself.This article is an attempt to re-read the concept of time in texture, plot and role, structure and inner meanings of the Iranian rug, from an intertwined perspective.A philosophy, beauty.Biology and people.And he binds together.She is crying..
Publish Date : 1404/03/20
Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug
This article is not the case, but it is an attempt to answer what Iranian rug is.
Even though ancient discoveries still exist.And, by the way,The face is wide and astonishing.And they have a variety of flowers and carpets.History is against us.But the main question remains for the examiners.In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.and the shape of the palm.title of a phenomenon.[1]It’s social and a pre-emptive note.It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.
Publish Date : 1404/06/20
Creator : The Iranian-made carpet researcher
And twice in the garden, from the cradle to the grave.
Unlike many industries.The hand used is an element beyond an efficient device or object, although the Iranian rug, though it does.It can warm and soft, but nothing.Which of these physical functions does not justify its true face.slow.. And the place,For the experience of biographies, cultural memory and Iranian human rituals.. Like the cradle, the first place in which the Iranian man is in.He turned, hand.And he goes.She is crying,Fall and go.rise, look.slow, pictured.He created the world and created the world.He teaches against the cradle.Wood or metal that the child is pulling out after a few months.Come, the cradle.He is the last day of his life.He wants to live in a garden like a garden and a garden.. This article is an attempt to explain the work of rugs in the Iranian bio experience, from first sight to the final farewell..
Publish Date : 1404/06/20
Creator : ← A researcher of hand-made rugs, Deputy Director of Iranian Carpet
Do you have any magic on earth?
After a century of my orbital carpets in national and international markets, silk-made carpets have always had a name among Iranian art lovers.O you who have a history of grace, culture, and identity.slow the year.It is a lot of people in the mind.The title of art and exquisite works is known.And sometimes they are on the walls.Then, under the roof of a luxurious mansion.Sometimes in the box.For generations.The next one will be remembered.And sometimes like capital.You buy and sell valuable.It will become.
Publish Date : 1405/02/12
Creator : The knowledge of the knowledge of the master.
IntroductionIn contemporary society, critique of an essential tool for dealing with complexityThe growing arts has become today’s art because of its characteristics.like the foundation.Discipline, identity rethink, addressing social issues, passing through style.Science and beauty.Classical Biology, concept.Main and pluralism in form, matter and meaning, constantly new dimensions.You are.And every day, it will be complicated.It's more.It will become. In the lack of cash.Many, many layers.FormsCognitive, beautiful.Cognitive, intellectual and social works of contemporary art.And that is what it does.It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.It has become an analytical and interpretive paradigm that is capable of layering.Multiple Beauty.Cognitive, social and context.To reveal the works of art and to the possibility of deep understanding.More than that.And he made it easy for him to do it.He moved to the understanding of contemporary art..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.random face and seeing a few flowers.They are full of magic.Hand of hand.He became Iranian, and despite his family’s inner desire.She decided to take this field at college to college.Follow seriously.His promise is to fight for art that is not so valuable at university.It was, and perhaps art is not known at all.He was born in 1385 from the University of Art of Tehran.He was taught and walked in a path that was determined to succeed.
Publish Date : 1404/06/20
Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design
From the smears to the smears.
Renzied and cotton-like wool, i.e. converting sheep and cotton wool into a machine called cycles-creation (in the local term) and cloth, flowering, rugs and carpets, were among the household jobs of women, although the cloth was mostly done in shops with men, but things that show women’s texture.
Publish Date : 1404/06/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
Our priceless rug is welcome to market.
and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.It was forever and what it was like to see the faithful team.Drink and drink tea, and drink.Milk sales and maps.And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.It was for the city, and we and I were under the roof of the market with that particular architecture.They will be comforted and peaceful.We arrived.
Publish Date : 1404/12/20
Creator : Guest worker, carpet expert, PhD in Communication Science
How to define the intrinsic value of Iranian carpets in the market?
In the carpet market, usually dominant.The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.What you saw?and it, andWhat they ignore.They reveal the truth.Iranian carpet, before.which sets.One of the nodes.It is the collection,from time.and the bio,They, beliefs and narratives.But the market, often when converting the value of the rug into numbers, is this layer.determining.He ignores the receiver.Or to take it orIt's hard.It can.Translate them..
Publish Date : 1404/12/20
Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug
Talk to Ali Mirzazadeh, from international activists of Iranian handmade rugs in Europe
I went to someone who lived the market in five decades of trading, travel, risk, and trust, Ali Mirzazadeh, from the known.It was made.Iran’s most hand-made rug traders in the global markets, the dialogue that was formed with him, an explicit reading of the Iranian rug ratio with the concept of the concept of Iranian rug.«value.»It was in today’s market..
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
In fact, they are the ones who are in the right place.
If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.Cash, before everything, is an attempt to understand the effect, recognize the characteristic.They and why it works.It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.And wait for that horizon.He is the one who makes it easy to judge.The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.There are indications in which art is defined, described and evaluated.and shall be judged.How do you see an effect?What awaits him?And what is the foundation of value?They are investing.It depends largely on its position in this economic field.
Publish Date : 1404/12/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Review of Iranian rug value in global markets
A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does notIt can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.I have experienced myself.Those who are familiar with the logic of the global economy and with the layer.Hidden Cultures and MeaningsThis number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.Common: Rereading Iranian rug value in the contemporary market.
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
He is the owner of the land and the owner of the land. In the trade area betweenThe name of some people is tied to the blossoming period of an industry.He is the 13-year-old walk in the corridor.And the full.And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”They are hidden in the name of the producer and sometimes in politics.They lose money.It will become.
Publish Date : 1404/12/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
The goddess promises to give the rug to love Iran
The goddess promises to be a 63-year-old woman and a son of Tehran. She has been known as persistence and hard work since her childhood and spent her education in schools that have influenced her personality formation. Today it is in the field of pharmacy and medicine, a profession that has no relation to carpets. His family does not have any background in this area, except in two generations before, which is the promise of a special place in the family, and the name of Abd al-Malaam is a testament to the walls of Karbala and Karbala..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes
Between tradition and innovation, the narrative of a designer in search of Iranian rug value
I am God’s grace. My career path in hand-made rug design began in 1905, which unlike many activists in the field had no family roots. My arrival into the world of hand-made rugs, not from the heart of an old workshop, not from the generations of carpets, but from the path of graphics..I spent my student time in the field of photography, and the knowledge in Tehran. In those years, I met a few students in the garden. This simple, quiet acquaintance opened a new window on me. They needed to paint and point out to design their handmade rug maps, and I was seriously involved in design and painting, starting from interest to help them..At least it came to a place where, along with my graphic projects, I also painted and pointing out my friends’ rug maps. At that time I could only do this from curiosity, but later I found that the same constant exercises were actually an unconscious education for me. Every time I painted a map, the principles of design, fit, and structure of the rug map were formed in my mind, without realizing it..After the end of the student's era, something happened in July of 2011, which made my path more serious. In the province of Rashe, a production set of hand-made carpets accidentally offered me a project to design a hand-made rug map. At the time I had no independent experience of carpet design. I had previously worked with maps just alongside hand-made rug students, not to be a project designer. However, I accepted the offer. It was a simple reason to believe.And: I think graphic design and rug design are not far from each other, and both eventually work with image, composition and color..In that project, I used the knowledge I had in design and drawing, and on the other hand, I consulted with friends who were educated in hand-made rugs. The result was an orderly satisfaction and that satisfaction became a serious motivation for me. Since then, there has been a spark in my mind that I may continue this path professionally..Before that, I had taken a lot of private classes in my field of design and painting. I tried to learn different techniques of design and hand painting such as black pen, coal, Kent, Patel, Goa and acrylic oil color. I was also trained professionally with computer software. But now I had decided to enter the Iranian rug design world and I knew I had to learn the specialized principles of hand-made rug design..For this reason, in Tehran, I learned the principle of Iranian rug design, and then I was a student of Master Ali Peggy and Master of Gold. Along with these high-performing professors, I learned very important points about the structure of rug design, the combination of traditional reviews and reviews to the hand-made rug map. A few months of intensive training passed, and then returned to the new knowledge..From year to time, by combining the experiences I had in traditional design and drawing, and the knowledge of graphic software and training I had seen in graphic design and hand-made rug design, I started my independent activity in rug design and painting. The first plan I presented was a plan in size of the cynic, a plan that met a good reception in the market and the same design reached the production stage..
Publish Date : 1404/12/20
Creator : A great student of the hand
How to buy on the basis of “value understanding”, not just price
Buying handmade rugs is not the choice of a consumer product, but rather the exposure of time, human skill, culture, experience and individual creativity. However, a significant portion of rug purchases, even at high price levels, end with discontent, doubt or regret. The root of this issue often lies not in the quality of the rug, but in the way of the buyer’s eyes, where the price takes the place of “value perception.”This article is written for hand-made rug lovers, who are not experts, but do not want to buy unknowingly. The first and most important stage in buying carpets starts before seeing any rugs.
Publish Date : 1404/12/20
Creator : ← Expert, producer and hand-made furniture
In the midst of thecolors, colors.and subtleties.Somewhere in the booth.The collection.from the«Iran Irannode.»In the 18th exhibition, there was a conversation that transcended the play of the character, a meeting in which two deep sights of life and art.—One of the heart of nature, the other from the heart of the dark and the carpet.—They sit together and make a new plan of time.. Sa’alas, Social Active and EnvironmentIn a conversation with Al-Khal.In an intimate but vibrant atmosphere, the sons of Levi were given the words that these days, more than ever.We need them: Slow life, bonding with nature, and root.In a culture that is a symbol,.
Publish Date : 1404/03/20
Creator : Iran’s content production team.
In the wake of the spring, it is a story of water. One day... In the dust of the lost time.His name is only in the name.The Old Testament.There is a reminder of the magic.and mines.He is a sign of the covenant.In it, Abbey.Muhammad’s name is easy.«So they turned away.»facing face.face.It was Ben.We of this.«Research-based.»This is the historical document that is unprecedented.at least.The Arabic is returned from Arabic to Persian and under the title.«A good reminder of God’s Word.»It came, but the other part.This is the interest,The passage of the language of historical documentation is built on the delicate boundary between history and imagination, the journalist has tried to summon the spirit of the so-called carpet and show how his body is of origin.He went,It can memory.O Lord, who dwells in the kingdom of God, and in the spring of Sodom, is the story of God’s Word, and his people are the people of the world.This land in the long run...
Publish Date : 1404/09/20
Creator : David Hilello, an assistant professor of the Faculty of Arts in Shiraz University of Art
In the Qur’an, the Qur’an is a reminder of the magic of the earth.
A little over a century of urban rug production.They came by the immigrants who came from Kashan.This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.But in the short term, that is the same.Like Cecil Edwards before.He saw it, the palm of the mountain.reputation and reputation in terms of texture quality, design and colorThen he turned away.species of species.You who are today,Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.There is a quality and beauty that some cities have been copied from the plot.colors and colors.The carpet.From this city,They call their names.They will do it..
Publish Date : 1404/09/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
In contemporary times, we stand over history.We are a lot of texts, images and material objects.Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.And they are the ones.It turns.It makes the layer.They will reveal the past in connection with each other.Create a history.Not in the past.One of the signs.separate, but the system.One interaction.interference, interference.And, too,retreat.and layers.grading.It has been a host..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
“I learned from a child that every node is not just a task; it is a responsibility for the history of my land...” I am Kashani, born in 1337 in the village of Kilno, a green and beautiful village on the border between Kardstadt and Chavis. If I have a 49-year history of art and 30 years of history, if UNESCO’s show, seal of originality, art degree, patent, entrepreneurship, and dozens of honors and titles recorded in my record, its root dates back to the same simple house of childhood; a house in its courtyard always held two six meters, and our lives of the newly resolved wool, natural colors, the rugs and the natural sound of the sense of the rugs..
Publish Date : 1404/06/20
Creator : ← Dr. M. C. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. F. B. B. B. B. B. B. B. B. M. B. B. B. B. B. M. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B.D.D. B. B. B. B. B
Old recognition and authenticity in Iranian handmade rugs
An analytical approach to visual and technical signs.Recognition of the age and authenticity of a hand-made rug is one of the most difficult undergraduate discussions in the field of Iranian handmade rug. This process, more than based on the public appearance of the effect, relies on deep recognition of the history of texture, technical structure, color system and cognitive design characteristics. Handmade rugs, like any other artwork, carry signatures and cues of their time, and each node can be a document of social, technical and aesthetic transformations of a period..
Publish Date : 1404/06/20
Creator : And the world’s hand-investment, producer and lecturer
Passenger from Time: The introduction of antic rug and the Frost Museum
In the history of Iran, wonders and appearances are not low. Then the king’s glory comes from our heads and shows us the art market, and sometimes the fall of Sultan Hussein’s era, the sweat of shame on our foreheads, of the intensity of cultural and artistic decline. In this article, but we have a passenger. 250 250 The year when he tells the story of his observations..
Publish Date : 1404/06/20
Creator : Professor of Art Research
Introduction Iran’s contemporary hand-made rug from few phenomenaIn the world of art,It can too.Cover the floor time and conquer the gallery wall.«Also, too.Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.It was an economic product and a skilled product.Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.tradition, tradition.Visual and transformation.And the taste.Beauty.← Psychologists.O thou who dwells in the centuries.In this continued civilization, they maintain themselves.and return.They are shining. In contemporary times, on this layer.Before available, layer.new ones.And it is the one who has made it.Especially in the realm of art, complex.On the one hand, contemporary art is made with the logic of concept.Question and question.No, no, no.title of a decorative commodity, whichas media.For an idea.The narrative,and worries.Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.Traditional ovens are no longer just the means of producing a commodity, but the media itself.For the creation of art.They come too.Time, expansion.«Design design.»toThe title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.It can too.Time of a floor.A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.He has become more. This is a few characters.Ability through two distinct theoretical concepts but complementary facial expressionsThe first concept,«border object.[2]»Star and Ferrari in the communityScience is introduced.They are concept.«border object.»In this theory, to object.It points out that while maintaining its material integrity, it is possible to interpret differently among the system.They provide knowledge and social heterogeneity.They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,Along this reading, the situation.«Among theIt was you.[3]»They will.power toAs a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.face stabilized.They do not exist, but in the process of continuous exposure and translation.They take this situation.power in relation to concept.«Third space.[4]»Father's face.He said, where the meaning is.Liquid space between tradition and modernity, center and around, and the domestic and global production.It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.power totitle of a title.«Border object is translating.»He also considered it.Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.It was shape.Take it. Combining these two concepts, the exact picture.More of Iran’s contemporary handmade rugs.And the carpet, on the one hand, as a«border object.»Between the world.There are different social groups and between them.Translated.On the other hand, as a phenomenon.with a feature.«Among theIt was you.»In none.One of these worlds.to them.Not completely solved.And it keeps a unique, fluid and multiple identity.From this point of view, the contemporary rug of Iran’s hand-made rug.power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.It is the boundary that is the horizon.The future of the hand-made carpet.Maybe the carpet is hand-made.It can too.Time of a floor.Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.Based on a design event,And none.One of these roles.They will reject other things.You need an analytical framework that can.Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.It was mostly based on approaches that each given one aspect of this border phenomenon.They are research.Historical, hand-made carpet toAs a document from the period.Previous studies.And cultural and cultural studies, it tosymbol of Iranian identity.Technical and economic approaches also analyze hand-made rugs in a workshop product.They are based on theNumber, raw materials and scalable market mechanismsIt's also packed.Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.Regional Biology.And they tried to do it.Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.They are, but nothing.One as one.«border object.»I haven’t seen it.His identity is not in compliance with a framework, which is right in line.«Among theIt was you.»And a sail between it.shape.Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.He is a journalist.It can be found, not in style.Biology, not in analysis.Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.They are the discourse they make.It can not be a few.title of a class issue.by which,The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.new ones.You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history← Style, Style.Biology and technical description are separate.Not only the method of analysis,It's time-consuming history.Poetry to the past.Do not look at it, nor do it.Biology within the framework of known rules.to the floor.The works.Paying.In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.and possible.They will take the future.Maybe they are.(Belting, 1987)If history.Ask the hand hand-made carpet.«How do you find this magic?Does it take?»cash,Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?Or maybe?»This direction.The future.Then he turned the cash into a conversation.It slows it.It can also be with contemporary handmade rug dynamics.Take a step, unlike history.And the past is fixed.Kennedy, it's from the past.And the way.He will bring them to the new generation, and the horizon.new ones.Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space
Publish Date : 1405/03/18
Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training
Magician, hand-made rug designer, including new generation designers, is a career path.You are at the point.He created many young people today.There is a place between choice and doubt, between tradition and innovation, and between what they learned.And what they are in reality.They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.The clock.They sat down, among the rules of the root.Designed, St.Historical ideas and ideas.He moved and reached a new mix. And the design of the palms.You are.He knows in it, too.Time with an accurate and structured system.At the same time, there is also the possibility of creativity and unconsciousness of the artist.A kind of reflection is the status of a generation that must be a legacy of consolidation.Revisioned in a changing world. Professional path.O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;He says, second.toThe second was learning for him. He goes on with different manufacturers in style.Different regions and regions.—From the place to the right,And the tribes.—He has collaborated and this diversity is one of the most important.The biggest growth factors are growing.Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.ideas, idea.There are signs and images.
Publish Date : 1405/03/18
Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design
Khashoghani, born 1361, is Iran's rug today, a woman whose story begins from a child, from the same day that her small hands struck her mother's first node in the dark. He said, “My story starts from childhood, from the day my small hands shook the first node with hands.”His hometown, the province of Ilam, the village of the bottom, was where under the shadow of old oak trees, the rugs were set up, and life was meant by Tard. It wasn’t six years that she sat next to her mother, her aunt and Mrs. Mrs. Mrs. His hands were shaken, but he was proud. The first node, the new world opened before it, the world in which everything was summed up in the abyss and nodes..
Publish Date : 1405/03/18
Creator : Dr. Abdham, researcher and lecturer
In the old market of Kashan, under the roof.And the light of the light,And they have a hundred years old.Where the cool of the desert architecture is complex, the stone.There is more like a life gallery.to the carpet.Sales sales.. Its walls have color. it has music.He sits on the wall.And some of them are on earth.They seem like they were in the yard.Old in the summer,They are wide; they are the same.live and full of memories..and the shape of theMore like telling a life.There is a place where the color and shape are complete.It will become.When you enter there.before, before it.Ask the price or even know what.You face.So, it feels,She entered the mental world of someone who was the year.To create taste.She lived her.. A man from that man.There are no ones that are just raised in the market; he looks more like someone else.It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.Come from this.It was not the same world.As they gave him, he accepted..
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.In each hand-made rug,One of the symbols, color.mix, mix.grading.and narratives.There are signs that come from the century.Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.The most important tools for achieving this goal are stories.A story or a story.They say.It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.New, Digital Space and MethodNew communication, you.It can play an important role in this path. In this part of the teaching.Handwritten, review.How the New Generation Is NewYou can use the story.Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.
Publish Date : 1405/03/18
Creator : Expert, producer and hand-made furniture.
The Magic Kingdom, which is first created, is a sign of the Master of Light
The Magician animation, directed by Lightin Gold Kolk, is one of the most different short films of the Iranian rug collection; a work that was built on the order of the Iranian National Carpet Center, but takes away from the common themes of the introduction of hand rugs and goes to imagination instead of reporting and explaining. Master of Gold Kolk, whose name is tied to the dynamic history of Iran, creates a world in which carpets are a means to return, friendship, imagination and future..From the beginning, the film illuminates its view: “They say the magic of Adam takes the world to the world, but it’s better to say that it’s the magic of the rug that takes people to an unforgettable journey.” This is the key to understanding the effect. This is the destination in this story. The more you look at, the more you discover. World of Role, Color, Meaning and Opportunity.
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes
Iran’s future landscape, from its existential wisdom to sustainability in the global economy.
In this number of sections.«Eye eye eye.Saving savings.»He said to him.We went to an understanding of the future of the Iranian rug, which is based on a vision.Mr. John Al Isaac’s Cultural and Economic Affairs, President of the Strategic Council of Iranian Handmade Carpet and said beyond one.And the magic of the soul,«Iranian historical wisdom.»and«necessity.Today’s global economy»They would eat.He is paying attention.. Al-John.Isaac from the face.Known.Economy and politics.Investing in Iran is that his look at Iranian hand rugs is not purely from an artistic or heritage perspective, but rather as a form of a heritage.«Economic-cultural ecosystem.»Analysis.To survive and compete.Tolerance requires the redefinition of the production structure, transparency in the value chain, and an effective connection to global markets, at this glance, the Iranian rug is a living system of production, design, commerce and meaning that if it comes out of the orbit of the contemporary economy, it will gradually move away from its global position.. The main axis of this said.It is a reminder of what they say.Its power.«Wisdom is in the dark and in the right place.»He called the historical wisdom.You who are during the century.in important places.Iran is formed and is facing a serious challenge today: how to turn this heritage into a sustainable economic advantage in the world of network networks.O, data,and full-hearted,. Based on this, this eye.Saving is trying.To reshape the ratio between the past and the future in Iran’s hand-made rug, from one.And with an emphasis on the value.Iranian civilization and cultural identity, and on the other hand, focusing on necessityLike economic transparency, infrastructure developmentIntelligences, the role of the new generation, and the reestablishment of handmade carpets in contemporary life. What continues.It is a path to cross the crisis.and to reach a pattern in which«Iranian rug.»They can too.Time to carry meaning, identity and economic value on a global scale.
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
And remember to remember. <img alt="A close-up of a carpet AI-generated content may be incorrect." 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" style="height:116px; width:171px"/>“The tree of the two heads is the same as it is not surprising.One of the men and the other was the one who spoke to him.The wisdom of the wise.It is a short and poetic documentary directed by Mars, a film that does not want to explain anything, not to be educational. The film is the third part of the film “Iranian output” produced in 1385, a joint project of fifteen filmmakers, each of which looked at Iranian handmade rugs differently. But the unconditional contribution, like always, is from another sex: it has no linear narrative, not an image, nor a busy heart of appearance. He goes to the root, the root that recounts Iranian culture, history and heritage..
Publish Date : 1405/05/03
Creator :
In Comem, the rug was not just for the width of the foot. before it.It was built before and before.Which party.And they are full, and they are full.Dar, and the sky. And they were on the side of the river, where the soil was still warm.They are still.They knew what it meant.
Publish Date : 1404/12/20
Creator : ← Expert, producer and hand-made furniture
And then, in the name of the Lord
Jacob Edward Polaki[1] The doctor, professor of Austrian Medicine and Iranianologist of the 19th century, was born in Bohr in 1818 and taught medicine at Central European universities.. In the 1850s, Polak came to Tehran in the framework of sending European professors to Iran and hired the Qajar government. As a professor of medicine in Darffenon and court doctor, Polak played a central role in the transfer of new European knowledge and techniques to Iran. His book, Iran: Land and Its Residents[2]A comprehensive picture of Iran of the Nazareth era. The story of Polk from Easter and the role of carpets in different situations from the home of ordinary people to the palace can be seen well. The voyage is published as Iran and Iranians and by translating the cosmopolitan cakes by the grocery publication.[1]Jakob Eduard Polak[2]Persien. Das Land and SEO Bewohner
Publish Date : 1404/12/20
Creator : Muhammad (peace be upon him)
None.No one in the land.He knew first.Who is the carpet?«The root.They are.»It was called, but everyone would.They knew where the name came from.And because of the magic.O, long, soft, and always fresh, were hanged from two heads and people of the year.They are them.They touched for wish, blessing, rain, love, healing and even peace..
Publish Date : 1404/06/20
Creator : And the world's drive.
Wind carpet film, a common language between cultures
The film “The Wind Road” is made by Tabrizi, one of the special experiences of Iranian cinema, which removes the border between the seventh art and the old art of the carpet. The film appears to be a simple and intimate narrative of two different cultures, Iran and Japan, but in its depth, it takes the audience to the Iranian rug world in the traditional context of Isfahan and shows how it introduces a part of our lives and culture of Iranians..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes