In the history of Iran, wonders and appearances are not low. Then the king’s glory comes from our heads and shows us the art market, and sometimes the fall of Sultan Hussein’s era, the sweat of shame on our foreheads, of the intensity of cultural and artistic decline. In this article, but we have a passenger. 250 250 The year when he tells the story of his observations..

The story dates back to the early reign of the Shah of the Qajar, when the merchants of the antiques and Western creditors were less likely to enter Iran, and if the infectious diseases were of their companions, and on the path of the land and the abandoned caravans of the Safavid covenant they would not be subjected to the methods of the women and the forces, and if the infectious diseases caused by drinking water and the weakness of the health of their antiques, they would finally see themselves as a whole trade or political trade..

This era can be seen as the starting point of Iranian culture with Western culture in modern times. It may not be bad for this confrontation to be called the “colonial struggle” because in the belief that most historians and theorists, although Iran has never been the official colony of any country, it was in the Qajar era of cultural colonization in Iran..

Father’s famous post-colonial writer, Huy Baba writes about this kind of cultural encounter: When the colonist culture meets the colonial culture, it’s not just the colonial culture that changes, but both cultures undergo great changes so that after this confrontation they can no longer say that they were before. There is a culture of intertwined and double-rooted cultural space that is neither, nor is it, and at the same time it is. After this cultural confrontation, we entered a space that was neither Iranian nor Iranian, nor Iranian, modern. And it can be said that after that, we were no longer "siled" or "West," we were slightly Westerner and they were a bit more Iranian.!!!!!!!!

So if we’re looking for the concept of “clusive” in Iranian hand-made rugs, we must travel ahead of this confrontation. In the original world (possibly) before colonialism, we met a hand-made rug that was woven into its inscriptions of the 1202 Age (image 1), which compares to the reign of the King’s conquest, but when the location of the rug was clear to us, the concept of “salt” in this hand-made inscription, the king of Bethlehem was the story..

Image 1: The inscription in which the 1202 age is woven

The rug was woven in the post-Islamic region, somewhere in the neighbourhood of Sultanabad, and only a few years after the birth of the rug, Manchester Ziegler was founded in Sultanabad. With more than 2,000 workshops, the multinational company changed all the previous methods of weaving and design. Even British designers brought English to the Sultanabad of Iran to hand in Iranian rugs, and based on the taste of Victorian-era Europeans, new carpets but still Iranian design..

Plans that belong to the same frail and midlife of the Father’s house; the roles of the colours and colours that are neither Iranian nor European, and at the same time Iranian, both European!!!!!!!!

It is in the narrative that the trade market of these small carpets of the Sultan of Abadi has made such a boom that some of the region’s flagships secretly covered Zigler’s plans and filled themselves with the same Iranian-modern rugs, and it is estimated that the strange desire to repeat the patterns of Sultanabad is found................

Image 2: A view of the rugs of the Qajar.

This passion and copying has finally taken the sound of the Sigler factory and sent letters to the court to prevent copies of his designs. But it seems that the legal measures of the court for the Manchester Company were not very satisfying, because it finally came to the court: “The Zig Ziglar has imprisoned about 380 Iranian merchants for stealing Zigler’s plans in the warehouse and closed a number of people in the city square.”

From these strange events, the humiliation of the time and of course the shock can be concluded how much the wave of developments in the 19th-century hand-made rug had made it a visual, commercial and economic revolution.

However, the background in the small and large cities of this region of Iran, with which the rug of the Persians and the sarfear, consists only part of the hand-made parts of Iran. No one can claim that there was no news in the region before these Westerns.!!!!!!!!

And the old rug of our story is perhaps among the few narrators of origin, so it is about the old passenger who survived such developments. And with his noble cloth, he has forgotten the ancient and authentic ways of Iran until our time, and has brought this number of articles. Accordingly, the value of this rug is not just old, but also to the hidden narratives in the dark and suffice that brought us souvenirs.

Image picture. 3And: A general view of the rug of Freihan, belonging to the Qajar period, the genus of the wool, the cotton tar, the size of 205 in 304 cm (potential of Mr. Kamami’s private collector).