In a world where speed is measured.So fast, the discourse is the master of everyday life, the arts that invites us to the moment, reflection and presence.They need more than ever.In this case, the Iranian rug, with a thousand years of history and a lasting effect, is like a cultural context that not only returns time.Rather, it is recorded in itself.This article is an attempt to re-read the concept of time in texture, plot and role, structure and inner meanings of the Iranian rug, from an intertwined perspective.A philosophy, beauty.Biology and people.And he binds together.She is crying..
Time as Patience: The texture process Iranian rug texture is a process full of repetition, order and slowness.With patience, one after the other plays a role.To create a unified and coherent image, this seemingly repetitive process carries an experience in its heart.It is a time when it comes to suspended sex, focus and austerity. every moment of the texture, not a step towards the end, but the moment.A perfect presence is now the same concept as Martin Haydeger.«original time.»They remember.When it comes to life,to find it.. Contrary to modern man who seeks to speed up and quickly reach the destination, he puts himself in the heart of the process.It can only be slow and patient.O, not only at the mental level but also in the temporal structure of the rug, because every rug is the product of the clock.Days and months.It is a constant work, and it turns the rug into some form of time registration.Make it: Time to spend.It is time of life, time of time.It was made.. Repetition and order: Time structureThey are. If we look closely at the Iranian rug, we will see regular patterns and repetitions, not only aesthetically aesthetically.It is playful, but it represents a particular look at time: a look at the cycle.O, return, and contrary to modern time’s linear imagination, in many cultures.Eastern times, not as a line.But as a cycle,One of the dead and the birth, the resurrection, and the resurrection.In this sense, the Iranian rug will also be replicated by the repetition of Mutef.and patterns, time as circle.You and the reflection show.Give it.. It’s the same structure that Michel Foucault’s concept of the machine. (apparatus) Culture teaches it.Where the formRepetitions and patterns, maintenance and continuity.The donor.The social order and meaning of the rug, by repetition of the motif, is the memory of a symbolic system in its heart of experience.It keeps a special time.slow.. Title and memory: As a matter of time. Iranian rug isn’t just an image level, but also a memory carrier.Historical and culturally, the people who have conquered it.They are roles.They often come from myth.stories, stories.And the rituals,and even the world.It is a time, when it comes to the shape, color, and symbolism, and it is eternal in the dark.. For example, role.«Tree of Life.»And in many places.See the tribal regions.A reflection of the cycle.From birth to death, from root to branch, and from soil to sky.It is a kind of time to look at, rather than confrontation with death, it is part of the cycle.You are natural.For this reason, many researchers know the rug not just a decorative art, but also as media.A culture to record and transfer knowledge and experienceHe lived.They know.. Time in memory: The role of the carpet in memorycollective. Iranian rugs, toEspecially that special.Those years.at home.It was you.They are part of memory.Family and Community.Each of them, every part.Color color.or changed from the carpet, not only the sign.One time, but a reminder.As a family photo, a mirror.It's time, too.It can be a mirror.In this sense, the rug is not only when it comes to texture but when the past life is formed and the role is closed.. Hermentic and Meaning: Reading carpets as a temporal text If we look at each other, we will see it.We find that every piece is a text, a text that needs to be understood.He considered cultural, historical, and even personal culture, or creation. Hans Gödman, the German philosopher.It is slow.«Understanding.»It is in time and time.Thus, the understanding of a rug also means the arrival of a world in its heart of tradition, memory and time.. At this glance, color.roles, role.Hobbes, and even fiber sex contain a specific meaning that is only understood by cultural and temporal context of the effects, understandable and understandable.For example, the red color of the turtle in many carpets.Turkmen is a symbol of life, happiness and vital forces, meaning born in its own cultural context and transferred from generation to generation.. and philosophy.Living: Beauty in Slow It may be claimed that the Iranian rug is a philosophy.Living: Philosophy.And he who keeps the value in patience, and the beauty in repetition.See this attitude, in contrast to the spirit.consumption.It is today that everything is short.The most time.He forgives and forgets at least time.slow.. In this sense, Iranian rug is not only an artwork, but a lesson for life: inviting to pause, to see details, to understand the root of the art, but also a lesson for life: inviting to pause, to see details.and to live with a knot.Which each has meaning.. In the world of carpets, nothing is accelerating.It didn't happen.Each color, every role, every repetition, is the result of a conscious and deliberate choice.It is only a reflection of technical skill, but a ritual of presence and reflection, in the quiet of the rug, the time touches.Then he opens it.She goes back and again.Each time, as if the moment.A life of life.Not forgetting.And not fast.Then he left behind.Rather, it plays a role in the dark.To stay, to remind, to continue, and to build a peaceful world.In the world-wide heart of the Iranian rug, at this glance, a kind of poetic resistance to oblivion and superficial passage of life.It's set.. The generation's bond.Responsibility for maintaining a live heritage The continuity in Iranian rug is more than repetition of a skill or job; it is the root in the transfer of the soul, meaning and memory.He has a culture.as a generation.Our formers, Tard and Poefi art with our lives and hearts, we are also responsible for the futures to keep this legacy not just, but also alive.In the palm of the hand,among the generations.A link from experience, feeling, learning.stories and stories.If broken, nothing more than a profession will be lost.—Part of our cultural identity is silent.It will become. The survival of the Iranian rug requires a generation partnership, requiring our children to understand not only the skill of texture, but also the inner value of it.It will become—Learning to see, hear, touch and understand, but before that, we need to learn how to speak to the future generations; how to introduce carpets not as an object, but as a live narrative of identity, meaning and human bonding.. Real consistency occurs whenLet the hand-made rug not only stand in the hands of the Bavarian, but also in the eyes of the new generation, when today’s teenager, in tomorrow’s rug, something of love, memory, history and future.See themselves, if this is a deep understanding of Iranian carpets to the generation.Futures will be transferred, not only will the rug remain, but again will doubt.—In a new way, by preserving the old spirit, consistency means the flow, and Iranian rugs as long as in the heart of the generation.It is now, alive.. The result.Measured. Iranian rug, with allColor.roles, role.and details, no.It’s just an artistic object, but the media.A subtle and complex to reflect and transfer experience.It was time.In the process of carpet tissue, time is not.He spends alone.It is in the dark, but in the dark.species of species.O thou who dwellest.From regular repetition of the node.And to wait for each of them, from a period of time to time.They are quiet, repetitive and deep.It is experienced.We are opposed to the speed, acceleration and amnesia in today’s world.power toThe title of a cultural text interprets the text in which the concepts of patience, consistency, and persistence lie.And they are, and they are a sign.People and people of life, suffering, and beauty.They are.. Study study.From the point of view of art, from the perspective of people.Journalists or even philosophic, make us rethink the experience.Time of the bio.We are invited.In a world that consumes at those moments.and value.They analyze rapidly.The Iranian rug is a form of beautiful resistance.And the knowledge of forgiveness,This is an old art, with roots.Deep in memory.Iran's historical and cultural history, notOnly alive.Look at the look.the owner.It is a traditional skill, but a method.I suggest being in the world.To live in meditation, to create in silence, and to stay from the slow path of the Iranian rug, in this sense, not past.A loss.They go, but the future.Maybe for life.A consistent one.More time and time.more forgiving.. Sources of Sources: For the first study, click the following link:
https://guereh.com/pdf-reader/dastbaf-01
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