Unlike many industries.The hand used is an element beyond an efficient device or object, although the Iranian rug, though it does.It can warm and soft, but nothing.Which of these physical functions does not justify its true face.slow.. And the place,For the experience of biographies, cultural memory and Iranian human rituals.. Like the cradle, the first place in which the Iranian man is in.He turned, hand.And he goes.She is crying,Fall and go.rise, look.slow, pictured.He created the world and created the world.He teaches against the cradle.Wood or metal that the child is pulling out after a few months.Come, the cradle.He is the last day of his life.He wants to live in a garden like a garden and a garden.. This article is an attempt to explain the work of rugs in the Iranian bio experience, from first sight to the final farewell..
In many areas of Iran, in the past and even today, the baby is in the cradle.A smother or a cover.Hand are placed.Take it. This choice, from one.So it is a sign of importance.The title is a symbol of warmth, security and beauty, and on the other hand, instilling philosophy.deep.It's more.: There is a way to establish the earth, a way to the earth.And it was not easy for him.or if the root of theBefore Islam, we consider it the continuation of mankind on earth.. It is not surprising if we say that every Iranian who is raised on the carpet.See, visual vision.And they take it away from it.teaching.. The first gallery.The word and silence that forms the first beautiful experiences of the Iranian child.Give it.. separate from the main cover of the home floor.Iran and its decoration, carpets are always a place for family meetings, party parties.There are moments of rest, for food, worship, entertainment, and so on, and in this context, carpets.«privacy.»He defines it.And this is one of the most important.Its most efficient function is not unique to the inner space, which means that it does not wait for architecture.Wherever it is,«privacy.»the same.There is a place, and there is a place.He came together to paint the assembly.Field.«Presence of Presence»It is.. At the wedding ceremony, the carpet.The title of the bridewry is an important function and symbolizes love, wealth, taste and art of the family.They are counted.Sometimes, the carpet.Gift title between people or familyThey exchanged.And the sign itself.One is respect and bond.. From the important functions of the Iranian carpet, to Iran.One of the most important export products in the past, the introduction of Iran, its culture and history to other nations of the world.The name can be called so.and the world, with Iran and Iran,Iranian carpets are a good platform for diplomatic action in other countries.It can play a role in artistic diplomacy and a hand.It is a good reason to draw the face.A different from Iran in the international community, Iran’s rug helps policy.They are in the realm of diplomacy, andtoFrom the centuries,From the past to contemporary times, the language of rug art has softened the space of politics.. In the religious and religious ceremonies,They are the ones.You are a symbol of sacredness and respect, and a spiritual basis for prayer.At some ceremony.Traditional and local, carpets.The title of cover or decorations for ceilings or walls or walls, especially the ceremony.Give it.. And the carpet.And the easy and easy,No luxury, full of nature’s honesty and role.Under the horse, the camel, the warm bread table, the bag.A to keep the salt stone. Or, in the evening or in the evening, or in the evening,The cold is the friend of the tribe.. And the carpet.Image from the story of the rock and the echoes of Dave. To the story of sweet and sweet, he is part of the story. To the carpet with Skerville[1] [1]A rug with the image of Howard Basville, an American teacher at the School of Material Tabriz, which became a martyr of the constitutional way. And, the narrator is a myth, poetry, literature, and history of Iran, which is the media function.A carpet for preserving the cultural heritage of Iranians. Magician.They are woven.The superstitious,With content and popular themes that contribute to research, the works are intertwined with tradition, art and beliefs raised from the people of the alley and the market, which have a different emphasis on the front, place and function of the rug among Iranian tribes. It's a pearl.Most of this should be taken into consideration, not because it is expensive.price price price.It is because of family memory, the refusal of ancestors and the remembrance of generations.Those who live on it.They said,And they are crying,They laugh and laugh.They remain.. In the eyes of the palm,It has a mental and aesthetic infrastructure for Iranians.. Then,Iranian man is the last breath.They will make their own.And the soul is separated from the earth.This is the place that is calm and silent.And he who was in the first place, will take him away.Not to be soft and warm, but to honor it.as a curtain.O the world and the world.. The Persian campus is between the two worlds, the rug has transformed the Iranian man into a man who even died, Ali AliDespite sadness.To be motivated, in the beauty and calm.He understands this.So, you're going to have a platter.The power of the past.Ian knew for a tradition that was still alive among Iranians. A discovery of patriarchy in the year.1949, whilewhich is the funeral corpse.Princess.O you on the floor of a cart.cache. And it was (a smear of this).That the rug was built for carts or carts as rugs, a live document of the works of carpets in the history of Iranian civilization; the first hand rug.The world is dead in the bed.. Many researchers believe the role of horsemen and horsemen.It is a symbol of death to another world, so it is so.In the description of the funeral of the Sska tribes, Herdett has learned from the parades and joint rituals, however, most Iranian rug researchers have picked up the structure of carpet design from the individualus or Garden of Garden.Gardens of ParadiseOld Iranians, including you.They know.. But it’s not just a rug, but a frozen ritual in history.O thou who dwells among the Iranians, and the centuries.Later, it was reproduced in the Islamic-Iranian culture of this tradition, by changing the form and continuity of content, covering the body with carpets.. [1]The son of the fifth of the Shi’a in the womb. After this, the people of Fin Kashan vowed to the Day of Resurrection, one year.On the second Friday of the fall, the day of the soil.by the king.And they will come to Him, and they will be remembered.He is the witness of his testimony.They keep alive.. And the carpet.They are among the signs.It is the root and root.In ancient Iranian culture and colour and manifestation of Islamic Iranian religious culture.In the era of mythology, worship of the above forces.Natural and fundamental in Iran’s agricultural culture, and in the flesh of the religious culture of the Shi’ite people of Iran, he has been polished and mocked.Cultural and religious beliefs and beliefs of the Shia people,The religious face of life has just taken place.and the Ark.For the rain in the spring.The old Iranians were farmers and still in some parts.Culture of Culture.Iran's land remains.. Each year, the people of Fin and Kashan in Ardadala and the removal of a board of carpets that symbolize the coffin of the Sultan Sultan Sultan Sultan.It is the rain, the rain, and the rain.You will go through the coffin.In the realm of the religious customs of the Shias, on the other hand, the memories of the hero’s suffering are martyred of religious and religious history through the washing of religious and religious history.And he keeps a living parable.And he has an excuse.You will witness and witness.In the mind of the funeral.And they will return.and the spirit of endurance.They strengthen.slow.. For a long time in Iranian thought, the death of the companion is considered a major transformation rather than the absolute end of life. Death is a beginning to be present in another world.In the end of the day, it will be used forever.The title of the grave and the grave.It is a symbol of civilization and religion..sample of sample.The magnificent traditions of this tradition,It is a time when King Abbas II opened the throne.. And the carpet.The tombs of King Abbas II compounded14 large and small pieces,Time is designed and woven. From the sum of these parts,There are 12 pieces in the Museum of the Magic Kingdom.Except for these fourteen pieces, a seed and a string.Other textures also belong to the complex, which differs from the obvious difference between other parts in the design and style of texture, and are not the main set, but said.And it becomes.The title of the cover of the tomb of King Abbas used it.It has been. Surprised carpet.Motivational.12 the tomb, the mainThe most important part of this collection.Come to remember.It is the paradise that all religions have promised.They are. This is the case of the Iranian port;It is empty of every role. in the design of this rug, to avoid the elements of the two pieces of rugs, from the beginning a complete map is clear that the purpose of this move is to reach the leap that is close to the reality of the Iranian garden.It is better to set up trees, known as the tree of life.and the branch.They did not see the trees in this garden.In Islam, the tree of the tree is served.They know that the tree is Paradise.Role.Serving on the sacred side, which is after Islam.You see a lot of symbolic faces.In the garden of the garden, the tree is full of fruit.There are some kind of movement like solar rays that are metaphoric.And one of them is the one who is in the right place, and he is the one who is in the right place.. In this case,In addition to the faith of the kingdom, the faith of the King is a sign of faith.. With the concept of using rugs on the grave, we have five symbolic concepts in the heart and minds of Iranians.We are coming.: Table in all tradition.God’s mercy and mercy are signs of God’s grace.title of the table.You see it.with food.Common for guests who are spiritually blessed.It is for the journey of the deceased. Every family.With every social level and economic power,And they made it so much more beautiful and so on.«The tomb was not naked.»Even simple.The least and leastpower.The most economical people tried to cover the tomb with carpets in Iran’s history, after the gathering.and the eyes of the dead,The wounds of it.divided between the poor.They did well too.We know the tradition.piece of cloth.and curtains.Hangings are common in sacred places, such as the Ka’ba house, but today in most parts of Iran there is no such encounter.This is not the case.And then, after the time of the day, he will be able to do so.He was wearing it back.Returned.. There is no rule or principle in the design and role or color of the rug used.The loss of loss.They are woven.Your originals are used to cover the tomb.When a blockchain dies.And he will be on his feet.They are also somewhat under the rule and should be close to the dimensions of a grave. But sometimes the carpet.big ones.And even the greater.And the people on it are in the graves.They will not sit down with the truth.. by the palm.Title is one of the most important.The greatest means of living, showing and symbolizing the house.Iranian rugs are reminiscent of the new and eternal home of the deceased, and the last role that carpets live in this life.His world is playing.slow..This is a reminder of the paradise that the Iranians have made.They are.. In this category,Gores, mostly owned by the social class or high-ranking clerics, are woven for the tomb.The deceased profile includes the family name and the date of birth and death, as well as the poems fitted with personality, how death or the role of the deceased in the family (father, mother, etc.) on the rug to the rug.The face of the inscription.It will become This part of the carpet.Unlike the previous four categories,A permanent face on the grave is wide and usually in the tomb.You see family reunions.It will become. The sampler.One of these pieces.In the Qur’an, he is in the presence of the wicked.Al-Qatar had been placed on the large carpet of the underlying cloth, but recently, by selling the scene with a rug.The car did not see a trace of it.It will become. Many designer artists, painters, painters, muslims.The two and the palm.Duff, who played a role in the historical longing of this art in creating diverse and numerous works.And in the eyes of the world,What a great deal,which is due to theChemicals of natural fibers are broken and returned to the skirt of nature.They are, but at a time.A history of Iranian civilization, letters, jobs, and arts have survived the stone of various religions, their memory and their art.. from common.The most important role.They used the stone,Especially in the rural regions of Iran, the abstract image of men and women, together with tools and equipment such as rugs, is accompanied by the role of men and women who play alongside them.That's the cause.O thou who art,He is the one who is in the palm of the The magic of this stone.Not only show.Men and women’s jobs, but signs.One of the signs of identity, social dignity and belonging to the world is blurry and symbolic representation of the rug.The title of memory is bio.. In this stone, death is not the end, the extension of life is in another form..This stone.Some of them, some of them.«Campus.journalist.»Names.It is a beautiful place that they have created.And when they die, they will die, and they will die.There are many lasting.. Sources: Ali, (1379), the iconic carpets of Shi'i in Ardakhali, Tehran, the Bureau of Cultural Research. (The Iranian product is not an image), the Journal of Professional Visual Arts: Artist, No73, Autumn Redemption. - King's claw, goddess; Colrodi, Inspiration. (Tomly on the structural study of the twelve celestial carpets of Shah Abbas II), the research of the history of Islamic civilization, period 55, number 2, March1401. Julius, Toge. (belief in Iran; a mixture of traditions, art and slangs). Julius (1391) The knowledge of rugs, some theoretical foundations and intellectual infrastructure, Tehran, Sasaioli Press. Julius, in collaboration with the National Treasure of Iranian Carpet, Tehran, Sasoli Press. Karler, Hamid. (Iran’s hand-made, king of artistic diplomacy) is a cultural magazine, Henry then, No.16, winter 1400. میرزایی, Abd al-Hah (a symbolic principle of the role of the patriarchal carpets), two months of research in the arts and humanities, number 6 (Papy 8), March 13. ← Light, Caliphate (the role of carpets in the traditions of the mourning of the Khorasan), two chapters of the Society of Arts and Literature, period 10, second number, autumn and winter of 2015.
before it.The Iranian ChildO thou who hast spoken or knew the name before,Which shape the world.The familiar divides, with a world familiar with color and role and rhythm.It will become.
First rolling, first crawling and first reaction.Iranian child’s senses to texture, color and form, often on carpetsSomething happens.May the century.Human experience, art and narrative.They are in the dark, and they are in the dark.And that it.He knows, in the heart of the garden.You are.Find the role.geometric and symmetry.balance and rhythm toinstinctively in his mind.show up..
With the time and growth of the individual,They gradually take other functions.Take it..
A study of rituals.The religious beliefs and beliefs governing the vast land of Iran at the time of the Achaimen, who also gave the great people of the skat to the Achas.title.One of the Iranian people.They contain.It was shown,To interpret and interpret symbolic interpretation as a role.That's the cause.and its logical connection.with each other as well as exploring roles.Other objects discover.In the tomb and its relationship.With the patriarchy, only in the context of Iran’s rich culture and religion is the period of the Achaemenid period that they eat.It can be hidden concepts and roots.Cultures reveal these flaws..
and wide range.In the graves of the graves,Iran’s changing lifestyles are still common.And also the grief underHe used to use the stone.Beautiful and expensive.Price, diversification.They and Roma.Machine and use table and chair, at leastColor color.The presence of the palms has been strong..
User comments
0 Comment
Post your comment