And remember to remember.

“The tree of the two heads is the same as it is not surprising.

One of the men and the other was the one who spoke to him.

The wisdom of the wise.

It is a short and poetic documentary directed by Mars, a film that does not want to explain anything, not to be educational. The film is the third part of the film “Iranian output” produced in 1385, a joint project of fifteen filmmakers, each of which looked at Iranian handmade rugs differently. But the unconditional contribution, like always, is from another sex: it has no linear narrative, not an image, nor a busy heart of appearance. He goes to the root, the root that recounts Iranian culture, history and heritage..

Image 1: A view of the director of Mars Bay and documentary construction factors shooting

In the Qur’an, we are not in the name of the Qur’an, but in the context of the Qur’an. As it collides across its works with language and history, it also sees carpets as a cultural text: a text made from color, repetition and pause. In this film, the result is a long life, something that is woven to stay, not for consumption. This is what separates the rug from a everyday object and makes it into the realm of meaning..

This is not the only thing to hear, but to hear. In one of the most important moments of the film, in the image of the Qur’an, the Qur’an is heard from the sun. This choice is not decorative or random. The conscious chaos reflects the epic voice on the image of the rug to indicate that the rug, as much as it belongs to everyday life, is linked to the fundamental narratives of this land. In this case, the Qur’an is entered as an old language, which, like the role of the rug, the breast is transferred to the breast and carries the worldview..

Figure 2 and 3: Frames from the Document

The film goes with a calm and measured rhythm. The camera is not in a hurry, just like the carpet itself. The frames are simple, but accurate. Each image takes a pause, as every node in the rug. This is the slow choice. He knows that some things only make sense in a long time, and the rug is one of them..

In this film, sound plays a central role, not just speech, but the silence between dislocations, the movement of the buffled hands, the vibrations under window light, and the detin beats on nodes. He speaks, but not in everyday language. His word is from the path of signs. The film reminds us that many of the things we think are silent today are language, but listening to them, practicing..

He sees the truth in the Word of God’s Word as a sign of patience and time. It is not the result of a person’s taste, but the result of a continuation. Plans are repeated, but a little different every time. This meaningful repetition shows how the meaning stays over time: not with a standstill, but with a conversation..

Figure 4, 5 and 6: frames of text.

The title of the film also has a deep root in Iran’s legendary and visual traditions. “The word of the Qur’an shall return to the old part of the tree of the word, or the tree of the word, which is the fruit of man and animal. This narrative, from the Seljuk period later, became the source of the formation of Grotsk views in Iranian art, and from the Safavid period, came into Iranian rugs. Heads that fall from the branches or are hidden in the hearts of the اسلs and quirks are the remnants of this legendary world. And he does not speak to him, but he does not have a holy place..

In this case, the woman has a strong presence, without the film resorting to a slogan or exaggeration. His presence is normal because the rug does not mean anything without him. His hands carry culture, history and tradition. It does not make this legacy romantic nor simple, but as it is, it shows hard and time..

Image 7: A cup of a woman in the documentary.

It is more about our eyes than it is. The film asks us: Is it still possible to see and hear? Or is it only for us to walk? This question is left unanswered..

Now that there is no longer a place among us, the return to the word "is an opportunity to pause. This film is the continuation of his usual invitation: the invitation to carefully, detail and hear voices that are calm, but deep. If we listen, they can still speak to us..

Chapter 8: The Book of Revelations