38 Article found
Historical Review of St. and Modernity in Iran’s urban handmade rug design and color
چکیده In various areas of developing societies such as Iran, the issue of traditions and how to deal with it has brought significant challenges. The field of art and in particular handicrafts is a special place in order to look at different approaches in this field. Iran’s city-made rug (ker, Isfahan, Tabriz and Mashhad) has evolved and changed in comparison to rural and tribal carpets, influenced by Western art and culture as well as the growing growth and development of urban societies, and this is particularly rapidly rapidly rapidly rapidly changing due to developments in modern society and the impact of Iranian art from the West. The current study plans to explore how and how the changes made in the traditions and original indicators in the layout and color of the hand-made rug in these areas to determine what developments and how much Iranian hand-made rugs have undergone during the forced development of modernity. Research is an analytical type and data collection has been conducted as a library and field. The results of the studies indicate that among the hand rugs of the four above areas, the carpets of Tabriz have made the most change in their early traditions and principles, followed by the rug of Kerman, Isfahan and Mashhad in order to rank later. The main purpose of research: 1. Study how tradition and modernity contrasts in the design and color of Iranian city-made rugs Research Questions: 1. What changes have Iran’s urban handmade rug made in its original and traditional features in the face of the growing development of urban communities caused by the wave of modernity? 2. Which of the four areas of study (kers, Isfahan, Tabriz and Mashhad) have more adhered to traditions and which one less? Key vocabulary: tradition, modernity, hand-made rug, rug history, Qajar.
Publish Date : 1398/02/01
Creator : Czechs of the Mind-Committee
The global market structure of hand-made rugs and Iranian export target markets
Knew. The current research aimed at determining the type of global trade structure of hand-made rugs, the Iranian rug export structure, with the commercial government and the identification of its target markets. The research of seven sectors includes the introduction, opinion and methodology (in two axes of the market structure and target markets), the global trade structure (export and export), the export structure of Iranian hand-made rugs with commercial evil, the relationship of pure exchange and the income of Iranian export carpets, Iran’s export markets, the result of proposals and proposals. The results of the research show that the structure of global hand-made rug trade from multilateral monopoly has faced volatility during the ٢٠٠٠-١٩٧٥ period. A review of the global trade structure also states that the multi-scale monopoly structure of exports has been transformed and has been stripped of the monopoly power of its exporters, in contrast to the import structure of carpets from multilateral monopolies. Comparing global exports and imports is a hand-made rug that is monopoly of those importers to exporters. Iran’s rug export structure shows with the commercial government that rug importers of Iran have not been stable in terms of the fact that during the 1358-67 years the Iranian woman’s bargaining power has been established among the importers, but during the 1368-80 years, the first development program has been entered into the vast number of countries’ monopoly powers. Shadan is concerned that the major countries importing hand-made rugs from Iran are re-exporting to markets of non-existent consumption, and in spite of the important center of global production of hand-made rugs in the Near East, countries from Europe (Germany), East Asia (India), Persian Gulf (Arabic sites) are the main commercial hubs of global rug-made goods. Iran’s net export base exchange relationship declined in 1358-80 years with fluctuating, and the increase in its export volume has led to the exchange of revenue. It improves it. At the end of the 1990s, countries with the target market of the export hand-made rug have been identified as the target markets of Iranian hand-made export carpets. The current research has ended with the collection, policy recommendations, recommendations and final considerations. .
Publish Date : 1383/01/01
Creator : God’s Word is a powerful man
It is about a hand-made rug and maintenance
The hand-made rug of this ancient Iranian art, such as a pure poem, has made the imaginations of artists of this land in its dark and frightful fashion with patience, intertwined in the form of a dream paradise with a multitude of flowers and birds and nonsense. This imaginary paradise of thousands of distant sights has always made the most eye-catching sights of the people of the art of love and beauty cheap. Now, you need to know how to protect and protect this fully-placed wizard. Before all, we must know what they have done. .
Publish Date : 1400/04/30
Creator : conductors of the world (the senior expert in the management and economy of the rug)
In this case. Sex and material. They must and should not. How to wash. It was briefly paid
Publish Date : 1400/06/13
Creator : conductors of the world (the senior expert in the management and economy of the rug)
Natural color detection method from artificial
In this article, it has been tried to express very practical ways of recognizing natural colors from artificial colors in hand-made rug fibers.
Publish Date : 1400/06/14
Creator : conductors of the world (the senior expert in the management and economy of the rug)
About the maintenance of hand-made rugs and methodical materials on the internet pages and some books
Publish Date : 1404/04/19
Creator : And the world's drive
This article is not the case, but it is an attempt to answer what Iranian rug is.
Even though ancient discoveries still exist.And, by the way,The face is wide and astonishing.And they have a variety of flowers and carpets.History is against us.But the main question remains for the examiners.In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.and the shape of the palm.title of a phenomenon.[1]It’s social and a pre-emptive note.It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.
Publish Date : 1404/06/20
Creator : The Iranian-made carpet researcher
And twice in the garden, from the cradle to the grave.
Unlike many industries.The hand used is an element beyond an efficient device or object, although the Iranian rug, though it does.It can warm and soft, but nothing.Which of these physical functions does not justify its true face.slow.. And the place,For the experience of biographies, cultural memory and Iranian human rituals.. Like the cradle, the first place in which the Iranian man is in.He turned, hand.And he goes.She is crying,Fall and go.rise, look.slow, pictured.He created the world and created the world.He teaches against the cradle.Wood or metal that the child is pulling out after a few months.Come, the cradle.He is the last day of his life.He wants to live in a garden like a garden and a garden.. This article is an attempt to explain the work of rugs in the Iranian bio experience, from first sight to the final farewell..
Publish Date : 1404/06/20
Creator : ← A researcher of hand-made rugs, Deputy Director of Iranian Carpet
Carpet as a miniature canvas: A fresh narrative of Iranian rug with Iran’s Sinai Race
"The sense of curiosity and pleasure that exists in the touch of handmade rugs and living with it is far more and more valuable than watching it." In the year.More recently, the art style of insight.[1]It has attracted me more than anything else, which is why in cyberspace and the internet, it is always new.Follow the news about this style.About two years ago, when reviewing the artists’ pages of this area, I filmed Alex Gray.[2]I was sitting next to the carpet.with a map.In the same post, the name of the creator was mentioned:Sinai Iran.Race.. [1]- Visionary Art [2]from known.It was made.Best and most influential face.The art of vision.
Publish Date : 1404/06/20
Creator : Saeed Fishing, researcher of Iranian art and hand-made rug
IntroductionIn contemporary society, critique of an essential tool for dealing with complexityThe growing arts has become today’s art because of its characteristics.like the foundation.Discipline, identity rethink, addressing social issues, passing through style.Science and beauty.Classical Biology, concept.Main and pluralism in form, matter and meaning, constantly new dimensions.You are.And every day, it will be complicated.It's more.It will become. In the lack of cash.Many, many layers.FormsCognitive, beautiful.Cognitive, intellectual and social works of contemporary art.And that is what it does.It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.It has become an analytical and interpretive paradigm that is capable of layering.Multiple Beauty.Cognitive, social and context.To reveal the works of art and to the possibility of deep understanding.More than that.And he made it easy for him to do it.He moved to the understanding of contemporary art..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.random face and seeing a few flowers.They are full of magic.Hand of hand.He became Iranian, and despite his family’s inner desire.She decided to take this field at college to college.Follow seriously.His promise is to fight for art that is not so valuable at university.It was, and perhaps art is not known at all.He was born in 1385 from the University of Art of Tehran.He was taught and walked in a path that was determined to succeed.
Publish Date : 1404/06/20
Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design
From the smears to the smears.
Renzied and cotton-like wool, i.e. converting sheep and cotton wool into a machine called cycles-creation (in the local term) and cloth, flowering, rugs and carpets, were among the household jobs of women, although the cloth was mostly done in shops with men, but things that show women’s texture.
Publish Date : 1404/06/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
Our priceless rug is welcome to market.
and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.It was forever and what it was like to see the faithful team.Drink and drink tea, and drink.Milk sales and maps.And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.It was for the city, and we and I were under the roof of the market with that particular architecture.They will be comforted and peaceful.We arrived.
Publish Date : 1404/12/20
Creator : Guest worker, carpet expert, PhD in Communication Science
How to define the intrinsic value of Iranian carpets in the market?
In the carpet market, usually dominant.The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.What you saw?and it, andWhat they ignore.They reveal the truth.Iranian carpet, before.which sets.One of the nodes.It is the collection,from time.and the bio,They, beliefs and narratives.But the market, often when converting the value of the rug into numbers, is this layer.determining.He ignores the receiver.Or to take it orIt's hard.It can.Translate them..
Publish Date : 1404/12/20
Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug
Review of Iranian trade and carpets from the Safavid period so far
This review article.Set on Iranian rug trade and value from the Safavid period to the contemporary period (the time opening of 1300 to 1370), in which to the start of Iranian rug trade during the Safavid period, the development of Iranian global rug trade in the Qajar period and the Iranian rug value in the market within the period of 1300 to 1370 of the Solar Solar Sun.It was made.It is.
Publish Date : 1404/12/20
Creator : The Magician, the University of Kashan
Talk to Ali Mirzazadeh, from international activists of Iranian handmade rugs in Europe
I went to someone who lived the market in five decades of trading, travel, risk, and trust, Ali Mirzazadeh, from the known.It was made.Iran’s most hand-made rug traders in the global markets, the dialogue that was formed with him, an explicit reading of the Iranian rug ratio with the concept of the concept of Iranian rug.«value.»It was in today’s market..
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
In fact, they are the ones who are in the right place.
If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.Cash, before everything, is an attempt to understand the effect, recognize the characteristic.They and why it works.It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.And wait for that horizon.He is the one who makes it easy to judge.The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.There are indications in which art is defined, described and evaluated.and shall be judged.How do you see an effect?What awaits him?And what is the foundation of value?They are investing.It depends largely on its position in this economic field.
Publish Date : 1404/12/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Review of Iranian rug value in global markets
A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does notIt can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.I have experienced myself.Those who are familiar with the logic of the global economy and with the layer.Hidden Cultures and MeaningsThis number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.Common: Rereading Iranian rug value in the contemporary market.
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
From graphics to redefinition of value in the Iranian rug market.
The story of career path.I wish the young Iranian carpet market activists. Sometimes career path.Adam.From the same point.You start.Not thinking.They did, but the future.They take them.Make it..
Publish Date : 1404/12/20
Creator : Iranian content production group of nodes.
How to buy on the basis of “value understanding”, not just price
Buying handmade rugs is not the choice of a consumer product, but rather the exposure of time, human skill, culture, experience and individual creativity. However, a significant portion of rug purchases, even at high price levels, end with discontent, doubt or regret. The root of this issue often lies not in the quality of the rug, but in the way of the buyer’s eyes, where the price takes the place of “value perception.”This article is written for hand-made rug lovers, who are not experts, but do not want to buy unknowingly. The first and most important stage in buying carpets starts before seeing any rugs.
Publish Date : 1404/12/20
Creator : ← Expert, producer and hand-made furniture
Journalism in Iran’s contemporary hand-made rug focusing on the works of Romeola III
Iran’s hand-made rugs in the contemporary era have initiated new cognitive, conceptual and functional experiences, these experiences have created new streams that are required to be categorized as distinct from Iranian handmade rugs.«Iran's contemporary handmade rug.»By emphasising the exact concept of contemporaryity in art, he learned that the contemporary hand-made rug of Iran, at the same time the cognitive, semantic, technical, practical and economic form of Iranian hand-made rug traditions, is a new form of hand-made rugs that is needed to define and accurately define its position, based on the principles of artistic critique. In other words, the word of magic is an unforgivable,Subdivision, rejection or exclusion are not the effect, but the nature of critique, the evaluation of artworks, the precise recognition of artistic, aesthetic and semantic characteristics and the discovery and expression of the specific values of the works and achievements of artists and awareness to audiences in contemporary times, audiences in the art world have become an important place, and the artwork of interpretation to use, confrontation and how the audience interacts with this important artistic point of the artwork is prepared.«Each cash is considered strong enough to give them a understandable assessment, in a way that leads the audience to discover the values of the effect.»(Carol, 17: 1393) Another important feature of contemporary art critique is actually the first text and writing of art, and the rest of art writing are always formed after criticism, so the critique is always needed in the most contemporary artwork and its aim is to locate, locate, classify and determine the precise position of contemporary currents in the art world and history of art. One of the most important approaches in Iran’s contemporary handmade rug is to use line and calligraphy as an element of cognitive form, identity and cognitive meaning, which is based on the struggle that this particular current art of contemporary hand-made rugs is recognized with the principles of artistic critique and its proportions to the flow of contemporary art as well as Iranian handmade rug traditions.
Publish Date : 1404/03/20
Creator : Mehdi Farmer, an assistant professor of art research at the University of Teacher Training
← Understanding carpet fibers and hand-made tips to keep them from them
Because of all the carpets.Iranian handmade fibers are woven from natural fibers such as wool, cotton and silk.They are aware of the character.These fibers in the maintenance and care process.of special importance.It is possible that the structure of an Iranian handmade rug is entirely composed of wool or silk fibers, or a combination of wool, silk and cotton.The title of Tar or Pop.And they will be in the midst of the dust.They can too.The title of Tar, both Pooh and Perez in hand-made rug texture.Continue, variety of fibers, feature.The unique effects of each and the impact of environmental factors on itThe reviews will be explored and finally, important points will be provided regarding the correct maintenance of Iranian handmade rugs with natural fibers..
Publish Date : 1404/03/20
Creator : And the world’s guidance, the healing, and the furniture.
In the wake of the spring, it is a story of water. One day... In the dust of the lost time.His name is only in the name.The Old Testament.There is a reminder of the magic.and mines.He is a sign of the covenant.In it, Abbey.Muhammad’s name is easy.«So they turned away.»facing face.face.It was Ben.We of this.«Research-based.»This is the historical document that is unprecedented.at least.The Arabic is returned from Arabic to Persian and under the title.«A good reminder of God’s Word.»It came, but the other part.This is the interest,The passage of the language of historical documentation is built on the delicate boundary between history and imagination, the journalist has tried to summon the spirit of the so-called carpet and show how his body is of origin.He went,It can memory.O Lord, who dwells in the kingdom of God, and in the spring of Sodom, is the story of God’s Word, and his people are the people of the world.This land in the long run...
Publish Date : 1404/09/20
Creator : David Hilello, an assistant professor of the Faculty of Arts in Shiraz University of Art
Good luck.Iran’s hand-made rug has a cuddle.It is a great part in the field of research, which is each of the banks.That culture and art of the Iranians.Good reflection.Give it.. History, society.Biology, Technology.texture and color, design.Men and women, human strength, skill, skill.Repair and rebuild, economy, idea.Creativity and creativity.Manufacturers and ... are research topics and approaches that have been attended by the University in the past two decades.Favorite researchers and researchers.Iranian traditional culture and art have been considered.They are..
Publish Date : 1404/09/20
Creator : B. B. Master, a faculty member of the University of Art, Teacher and researcher hand-made rug.
Mr. Flynn is a summary of W. L. Flynn's private memories.
The son of a Manchester Zigler partner traveled for 40 years for Zigler’s purposes in Iran. ZiglerIt was Manchester that was the arch.cotton cloths.You export yourself to Iran.He gave him his money around Sultanabad.Personal travel.He left about sixty photographs of the Iranian community, which he was a member of, most notes.His selfish feelings are travel reporting, but there are important points during which he has a feature.And they say that day.Unfortunately he is less about the carpet.He wrote his own words.
Publish Date : 1404/09/20
Creator : Written by Anthony Wayne, a researcher.
In the Qur’an, the Qur’an is a reminder of the magic of the earth.
A little over a century of urban rug production.They came by the immigrants who came from Kashan.This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.But in the short term, that is the same.Like Cecil Edwards before.He saw it, the palm of the mountain.reputation and reputation in terms of texture quality, design and colorThen he turned away.species of species.You who are today,Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.There is a quality and beauty that some cities have been copied from the plot.colors and colors.The carpet.From this city,They call their names.They will do it..
Publish Date : 1404/09/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
In contemporary times, we stand over history.We are a lot of texts, images and material objects.Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.And they are the ones.It turns.It makes the layer.They will reveal the past in connection with each other.Create a history.Not in the past.One of the signs.separate, but the system.One interaction.interference, interference.And, too,retreat.and layers.grading.It has been a host..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Old recognition and authenticity in Iranian handmade rugs
An analytical approach to visual and technical signs.Recognition of the age and authenticity of a hand-made rug is one of the most difficult undergraduate discussions in the field of Iranian handmade rug. This process, more than based on the public appearance of the effect, relies on deep recognition of the history of texture, technical structure, color system and cognitive design characteristics. Handmade rugs, like any other artwork, carry signatures and cues of their time, and each node can be a document of social, technical and aesthetic transformations of a period..
Publish Date : 1404/06/20
Creator : And the world’s hand-investment, producer and lecturer
Introduction Iran’s contemporary hand-made rug from few phenomenaIn the world of art,It can too.Cover the floor time and conquer the gallery wall.«Also, too.Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.It was an economic product and a skilled product.Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.tradition, tradition.Visual and transformation.And the taste.Beauty.← Psychologists.O thou who dwells in the centuries.In this continued civilization, they maintain themselves.and return.They are shining. In contemporary times, on this layer.Before available, layer.new ones.And it is the one who has made it.Especially in the realm of art, complex.On the one hand, contemporary art is made with the logic of concept.Question and question.No, no, no.title of a decorative commodity, whichas media.For an idea.The narrative,and worries.Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.Traditional ovens are no longer just the means of producing a commodity, but the media itself.For the creation of art.They come too.Time, expansion.«Design design.»toThe title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.It can too.Time of a floor.A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.He has become more. This is a few characters.Ability through two distinct theoretical concepts but complementary facial expressionsThe first concept,«border object.[2]»Star and Ferrari in the communityScience is introduced.They are concept.«border object.»In this theory, to object.It points out that while maintaining its material integrity, it is possible to interpret differently among the system.They provide knowledge and social heterogeneity.They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,Along this reading, the situation.«Among theIt was you.[3]»They will.power toAs a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.face stabilized.They do not exist, but in the process of continuous exposure and translation.They take this situation.power in relation to concept.«Third space.[4]»Father's face.He said, where the meaning is.Liquid space between tradition and modernity, center and around, and the domestic and global production.It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.power totitle of a title.«Border object is translating.»He also considered it.Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.It was shape.Take it. Combining these two concepts, the exact picture.More of Iran’s contemporary handmade rugs.And the carpet, on the one hand, as a«border object.»Between the world.There are different social groups and between them.Translated.On the other hand, as a phenomenon.with a feature.«Among theIt was you.»In none.One of these worlds.to them.Not completely solved.And it keeps a unique, fluid and multiple identity.From this point of view, the contemporary rug of Iran’s hand-made rug.power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.It is the boundary that is the horizon.The future of the hand-made carpet.Maybe the carpet is hand-made.It can too.Time of a floor.Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.Based on a design event,And none.One of these roles.They will reject other things.You need an analytical framework that can.Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.It was mostly based on approaches that each given one aspect of this border phenomenon.They are research.Historical, hand-made carpet toAs a document from the period.Previous studies.And cultural and cultural studies, it tosymbol of Iranian identity.Technical and economic approaches also analyze hand-made rugs in a workshop product.They are based on theNumber, raw materials and scalable market mechanismsIt's also packed.Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.Regional Biology.And they tried to do it.Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.They are, but nothing.One as one.«border object.»I haven’t seen it.His identity is not in compliance with a framework, which is right in line.«Among theIt was you.»And a sail between it.shape.Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.He is a journalist.It can be found, not in style.Biology, not in analysis.Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.They are the discourse they make.It can not be a few.title of a class issue.by which,The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.new ones.You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history← Style, Style.Biology and technical description are separate.Not only the method of analysis,It's time-consuming history.Poetry to the past.Do not look at it, nor do it.Biology within the framework of known rules.to the floor.The works.Paying.In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.and possible.They will take the future.Maybe they are.(Belting, 1987)If history.Ask the hand hand-made carpet.«How do you find this magic?Does it take?»cash,Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?Or maybe?»This direction.The future.Then he turned the cash into a conversation.It slows it.It can also be with contemporary handmade rug dynamics.Take a step, unlike history.And the past is fixed.Kennedy, it's from the past.And the way.He will bring them to the new generation, and the horizon.new ones.Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space
Publish Date : 1405/03/18
Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training
Magician, hand-made rug designer, including new generation designers, is a career path.You are at the point.He created many young people today.There is a place between choice and doubt, between tradition and innovation, and between what they learned.And what they are in reality.They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.The clock.They sat down, among the rules of the root.Designed, St.Historical ideas and ideas.He moved and reached a new mix. And the design of the palms.You are.He knows in it, too.Time with an accurate and structured system.At the same time, there is also the possibility of creativity and unconsciousness of the artist.A kind of reflection is the status of a generation that must be a legacy of consolidation.Revisioned in a changing world. Professional path.O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;He says, second.toThe second was learning for him. He goes on with different manufacturers in style.Different regions and regions.—From the place to the right,And the tribes.—He has collaborated and this diversity is one of the most important.The biggest growth factors are growing.Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.ideas, idea.There are signs and images.
Publish Date : 1405/03/18
Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design
In the old market of Kashan, under the roof.And the light of the light,And they have a hundred years old.Where the cool of the desert architecture is complex, the stone.There is more like a life gallery.to the carpet.Sales sales.. Its walls have color. it has music.He sits on the wall.And some of them are on earth.They seem like they were in the yard.Old in the summer,They are wide; they are the same.live and full of memories..and the shape of theMore like telling a life.There is a place where the color and shape are complete.It will become.When you enter there.before, before it.Ask the price or even know what.You face.So, it feels,She entered the mental world of someone who was the year.To create taste.She lived her.. A man from that man.There are no ones that are just raised in the market; he looks more like someone else.It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.Come from this.It was not the same world.As they gave him, he accepted..
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.In each hand-made rug,One of the symbols, color.mix, mix.grading.and narratives.There are signs that come from the century.Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.The most important tools for achieving this goal are stories.A story or a story.They say.It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.New, Digital Space and MethodNew communication, you.It can play an important role in this path. In this part of the teaching.Handwritten, review.How the New Generation Is NewYou can use the story.Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.
Publish Date : 1405/03/18
Creator : Expert, producer and hand-made furniture.
Iran’s future landscape, from its existential wisdom to sustainability in the global economy.
In this number of sections.«Eye eye eye.Saving savings.»He said to him.We went to an understanding of the future of the Iranian rug, which is based on a vision.Mr. John Al Isaac’s Cultural and Economic Affairs, President of the Strategic Council of Iranian Handmade Carpet and said beyond one.And the magic of the soul,«Iranian historical wisdom.»and«necessity.Today’s global economy»They would eat.He is paying attention.. Al-John.Isaac from the face.Known.Economy and politics.Investing in Iran is that his look at Iranian hand rugs is not purely from an artistic or heritage perspective, but rather as a form of a heritage.«Economic-cultural ecosystem.»Analysis.To survive and compete.Tolerance requires the redefinition of the production structure, transparency in the value chain, and an effective connection to global markets, at this glance, the Iranian rug is a living system of production, design, commerce and meaning that if it comes out of the orbit of the contemporary economy, it will gradually move away from its global position.. The main axis of this said.It is a reminder of what they say.Its power.«Wisdom is in the dark and in the right place.»He called the historical wisdom.You who are during the century.in important places.Iran is formed and is facing a serious challenge today: how to turn this heritage into a sustainable economic advantage in the world of network networks.O, data,and full-hearted,. Based on this, this eye.Saving is trying.To reshape the ratio between the past and the future in Iran’s hand-made rug, from one.And with an emphasis on the value.Iranian civilization and cultural identity, and on the other hand, focusing on necessityLike economic transparency, infrastructure developmentIntelligences, the role of the new generation, and the reestablishment of handmade carpets in contemporary life. What continues.It is a path to cross the crisis.and to reach a pattern in which«Iranian rug.»They can too.Time to carry meaning, identity and economic value on a global scale.
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
Mary's House of Eden and Muhammad
Sometimes a rug is not just a rug. It’s like a living memory that has spread over the earth, a memory that has memories of the previous home and is recording current home events. In Mary’s house and Muhammad al-Madiq, a great rug of cloth is of the same genus, a rug that not only fills the space, but also keeps a part of the memories of his owners..The story begins where the rug was not in the house. Before that, the house lived with other rugs, the carpets they were, but they had little. The house was a perfect house: his belongings came from the heart of the families, every piece of souvenir, every object had a past. But with all of these, there was nothing in the whole picture. A hidden kind of inconsistency, which may be called "preservation" later..Mohammad Hussein, the architect himself, said he had no connection with classical carpets and busy designs. He knows these types of rugs too much; carpets that weigh it instead of accompanying space and do not allow breathing to the environment. In his experience, however, he had come to the idea that he was more important than the role and design: the color balance and the relaxation that a space should have..He learned from this rug in his sister’s house; a different rug with colors that were neither crowded nor neutral, but in a coordinated mix, and the same colour was one of the most important and influential points; colors that were synchronized with the air of the house. These qualities were enough to attract the attention of Muhammad al-Malaam al-Malaam all those years at his sister’s house..Mary had been enamored in her home before she was born. Especially at parties with which this rug took her look more than anything else. For him, this choice was not merely a momentous decision, but a continuation of the sense that was made up of childhood in his mind; a sense of life and presence in space. The same experience eventually decided to bring this rug home..Maryam Mirhani said from that moment that the rug first spreads home. Not as an ornamental choice, but as something that happened. He speaks of an interesting conflict: a house that seemed perfect before, but with the arrival of this rug, something was stabilized. Not change, but everything is in place..In the narrative of this house, the rug is more than the role and color. It is a biological experience. What is tied to everyday life. In normal days, at parties, in commutes, and even in difficult and difficult days..Maryam Mirini points to a moment that seems simple at first sight, but remains in his memory; the days of war and anxiety, the days when the mind was involved in the news and external pressures. In those days, the mornings that woke up were the first thing to look at, the colors of this rug. This peaceful and unrecognized presence on Earth, among which anxiety created a real kind of relaxation, which was more like a long pause in the heavy days..
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes
In Comem, the rug was not just for the width of the foot. before it.It was built before and before.Which party.And they are full, and they are full.Dar, and the sky. And they were on the side of the river, where the soil was still warm.They are still.They knew what it meant.
Publish Date : 1404/12/20
Creator : ← Expert, producer and hand-made furniture
And then, in the name of the Lord
Jacob Edward Polaki[1] The doctor, professor of Austrian Medicine and Iranianologist of the 19th century, was born in Bohr in 1818 and taught medicine at Central European universities.. In the 1850s, Polak came to Tehran in the framework of sending European professors to Iran and hired the Qajar government. As a professor of medicine in Darffenon and court doctor, Polak played a central role in the transfer of new European knowledge and techniques to Iran. His book, Iran: Land and Its Residents[2]A comprehensive picture of Iran of the Nazareth era. The story of Polk from Easter and the role of carpets in different situations from the home of ordinary people to the palace can be seen well. The voyage is published as Iran and Iranians and by translating the cosmopolitan cakes by the grocery publication.[1]Jakob Eduard Polak[2]Persien. Das Land and SEO Bewohner
Publish Date : 1404/12/20
Creator : Muhammad (peace be upon him)
Wind carpet film, a common language between cultures
The film “The Wind Road” is made by Tabrizi, one of the special experiences of Iranian cinema, which removes the border between the seventh art and the old art of the carpet. The film appears to be a simple and intimate narrative of two different cultures, Iran and Japan, but in its depth, it takes the audience to the Iranian rug world in the traditional context of Isfahan and shows how it introduces a part of our lives and culture of Iranians..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes