It is about a hand-made rug and maintenance

Creator : conductors of the world (the senior expert in the management and economy of the rug)

Publish Date : 1400/04/30

The hand-made rug of this ancient Iranian art, such as a pure poem, has made the imaginations of artists of this land in its dark and frightful fashion with patience, intertwined in the form of a dream paradise with a multitude of flowers and birds and nonsense. This imaginary paradise of thousands of distant sights has always made the most eye-catching sights of the people of the art of love and beauty cheap. Now, you need to know how to protect and protect this fully-placed wizard. Before all, we must know what they have done. . ... Read more

Usually all Iranian handmade carpets are woven from wool, cotton or silk fibers. The structure of an Iranian rug may be entirely of cotton or silk fibers, or a combination of wool, silk and cotton, which cotton fibers are commonly used as tar or pd, and the cotton and silk fibers can be used as tar, pd and Perez. Now that we are familiar with the structure of Iranian handmade carpets, we look at the characteristics of each of these materials. And the seed of silk. Silk fibers are a component of animal fibers, comprising about 98% of its weight from protein, these fibers have a history that was first acquired by Chinese and spread to other parts of the world. Iran also reached these fibers in 2,400 BC. The use of these fibers in cream and rugs for the principles of high fines, the use of the glow of its fibers and the increase in the value of handmade rugs. Silk has more decorative use and accounts for a significant percentage of Iranian handmade rug production. Some features of silk fibers are as follows: It absorbs water fiber well. Its reactionary conflict is greater than cotton and less than wool. It is good for them to be good. And they don’t have any effect on this. When burned, the smell of the hair or burnt. It has good resistance to heat. Its length is very long. It is very high. The effect of chemical factors on silk fibers: Toxic protein textures on silk fibers called sapphinin have the protective side of the fibers and are more vulnerable to the lemon protein itself, but as long as it does not require specific silk fibers, they usually ignore the toxicity of it quickly and the weak bulls slowly dissolve the silk in themselves, it dissolves very thin silk levels and causes swelling code. Oxygen water in some detergents after absorption by silk causes oxide and changes in the color of fibers. Chlorine solutions change silk color to yellow, reduce strength and remove lipoph from normal. Large mineral acids immediately damage silk, but dilute minerals dissolve it over time. Organic acids cause dry and harsh fibers and drop their level of glow. Time on the earth: Silk is oxidized in the vicinity of oxygen and moisture over time and changes color, and if it has long been placed in these conditions, it will have a similar state of deterioration and its color changes to the yellow of the mat. Sunlight on silk fibers: Sunlight in dry air causes splashing, mating and falling silk glow and in wet weather makes it oxidized above. The heat effect on silk fibers: Silk is well tolerated by 140 degrees C, 150 degrees, and then burned and broken. Then they burn the soft. Second of the wool. Lime is an animal lemon that has all the necessary properties for use in Iran’s hand-made carpets. The chemical structure of these fibers is from protein materials ( albumin, white materials and creatine). About 80 percent of the world’s productive wool is used by hand-made rugs. These fibers have been found due to the characteristics under special use in hand-made rug production. - Heat heat claims. Low vulnerability. Appropriate length of fiber A high-rise. Too much texture. High difficulty, which leads to the return of Perez to the primary state and the maintenance of carpet sleep. High humidity that makes it appropriate to contact the body’s skin A lot of noise that comes from high humidity absorption Even safe walking. - The sound. For certain physical and chemical characteristics, wool has its own vulnerabilities. The effect of chemical factors on wool fibers: Acids have a devastating effect on the width bands of rug fibers, causing them to be broken, and as a result, the drop of strength and eventually the breakdown of fibers. The amount of acid damage to fibers depends on acid concentrations, its temperature and reaction time. Dediluted acids do not have much effect on wool fibers and some grafts are broken in contact with these acids, but as a result, washing and peeling are formed with the pure water of new links. alkaline materials also affect wool fibers, depending on concentration, temperature, time and type of bullying. For example, a rich burning solution at the temperature of the environment and at a short time does not show the effect of severe destruction on the wool, but it only separates the flasks of the wool, but the same solution with a five percent concentration at boiling temperatures can fix the fibers. It will be used by the use of brace, because its fats will be hydrolyzed by zeia. The light of the sun on the dust: Sun-exposure wool fibers, influenced by infrared rays that make up much of the sun’s radiation, absorb a lot of heat, which makes the color of fibers yellow. Environmental radiation and humidity intensity will be effective on the quality of these changes. Extreme and long sunlight radiation on wool fibers causes dry and roughening these fibers below. The heat effect on wool fibers: The wool fibers at 100°C have a rough and dry state, which can be partially restored if they stay at this temperature for a long time, first changed to yellow and then to brown. And in the palm of the The humidity, especially in closed spaces where the air flows less or flows generally, causes rapid corruption. High temperatures and alkaline environments also help speed up this corruption. The fastest way to prevent rot is to create the right air flow. 3 of the cotton. It’s a plant-based lemon that has a wide use in the palm. Currently, about 70 percent of their handmade rugs are cotton, which is mainly derived from relatively good stretching and the stability of the upper dimensions of cotton, on the other hand, the lowerness of cotton wear and excessive pusiness as well as the high percentage of short fibers in it prevents its use as handmade rugs. The quality of cotton fibers is defined on its length and then another specification, including strength, percentage of short fibers, elegance, white and percentage impurities, determines the quality of cotton fibers. One of the things that is done on cotton is to intimidate cotton, which causes the luminosity and strength of cotton (the level of beans is changed in shape). The chemical effect on cotton fibers: In conventional use of cotton fibers against chemicals, they demonstrate good resistance. Warm and dilute acids or cold and thick acids break these fibers. Therefore, cotton resists cold solution and acids in the short-term, cotton fibers tend to attract acid gases in the air. The diluted acids that come from solving these gases in the moisture in the air are absorbed by cotton fibers and over time changes its properties. First, the color of cotton is yellow, its superficial properties and flexibility are lost and felt under the old paper. And the other is that its mechanical properties are greatly reduced and the whole thing is changed. Time-time effect on cotton fibers: It is a good time for the time to come when it comes to the right conditions. The point of importance is that the appropriate conditions are not usually applied to its storage. Raw cotton in front of high humidity at high temperatures and conditions of lack of air is not good resistance, causing corruption and cotton decay and changing the color and dropping its strength. If it is said that the glooms that are long-lasting will fall down by absorbing the acids in the air and changing superficial properties. Sunlight on cotton fibers: If cotton is exposed to sunlight for a long time, it will gradually reduce the color yellow and its strength. Most of these changes come from purple radiation and invisible wavelengths. The destructive effect of sunlight is more intense in warm and humid air. Using some colors, cotton resistance can be increased against sunlight. The heat effect on cotton fibers: cotton fiber resistance is high in heat when cotton is placed in temperatures 120°C for a few hours, it begins to become yellow. In130 degrees, it breaks down significantly and eventually burns in 140 degrees over a few minutes. These fibers may have been color itself or are painted with natural and sometimes chemical colors, which depends on the need, taste, possibilities and order of the artist to produce this effect. Silk, cotton or wool fibers may be particularly damaged and damaged in the face of chemicals, humidity, air conditioning, light and animals, especially insects, which can sometimes be very serious and drastically reduce the value of these crafted handmades. To cope with these vulnerabilities in some online books and sites, there are ways that are more valuable and sensitive to hand-made rug fibers should be tested and modified by skilled working people. At the same time, we can protect and maintain these artistic capitals without the need for skilled people. For this reason, the following points are required: 1) Do not install or install hand-made beams on walls and earths. 2) We try not to keep these valuable handmade flaws constantly exposed to extreme light. If our rugs are in wide or installed spaces, we open doors and windows from time to time. For a period, even if the environment is clean, we can vacuum under wool rugs from the edges. To keep the rugs in the warehouse, try to keep them piped and remove them before the soil and dust pipes. In the warehouse, keep them cool and far from the moisture. Let us turn the handways every few months in an environment that is wide enough to foot uniformly. Try not to use vacuum cleaners to vacuum hand-made rugs because long-term use of vacuum cleaners damages rug fibers. 9 Do not expose handmade beams as far as possible to heavy objects and sharp points such as the base of the closet, sofa and tables. If stains such as oil, nail polish, automatic ink and so on, try to spot stains first with a work-like tool like a fruit knife without harming Perezs and spreading it, and to give an expert to the final amendment. To clean the stains, avoid chemical and solvents. If we wet our rugs with water or drinks, try to dry the wet place as quickly as possible by clean cloths. If our rug has been painted after wetness, we should not use iron or brace to dry it. .

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