30 Article found
Game Theory: A strategic game between competitors
The traditional view of business space is considered trade as a form of war field and sees victory in it as a result of removing competitors. As we know, there is only one winner in the war and it is necessary to defeat one of the opposite forces. But today, professional competitors do not define their success in eliminating each other. For they believe that in business, it is possible for them to win without destroying their competitors and no longer need to succeed. But how? &
Publish Date : 1399/10/07
Creator : (The Chief Executive Officer in the Hand-made Carpet)
Identifying the Silk Carpet Entry Strategy to China’s Handed Carpet Market
by: The aim of the study is to identify the Silk Carpet entry strategy to China’s hand-made rug market from 21 experts (the study of hand-made rug cluster). The statistical community of this study consists of experts of hand-made rugs and the National Center of Iranian rugs, and has collected research data through the census. The method of research has been a method of data collection and ranking, and then using the Matrix of applicable strategies and to determine the relative attractiveness of these strategies through the strategy planning matrix. Due to the results of strategy prioritization, the product diversity strategy has the most attractive score and is followed by market penetration through marketing efforts and encouraging measures to encourage and attract customers. So for the successful and long-term arrival of silk carpets to the luxury goods market in China diversifying into products and following those measures from carpets’ government custodians such as Iran’s National Carpet Centre in line with an emphasis on various aspects of the rug, conducting market research by expert and committed individuals, paying attention to the discussion of the branding and celebrities of existing brands, including the actions that are taken into the market as a luxury of China. Key vocabulary: strategy – hand-made rug cluster – Subat- Matrix Strategy Planning Matrix – a quantitative method
Publish Date : 1394/04/01
Creator : HAMID SULEIMANI (DR. BUSINESS ADMINISTRATION) – ADELIAN (MASTER OF THE MBA OF MARKETING ORIENTATION – ISLAMIC FREE UNIVERSITY UNIT OF MEDICAL SCIENCES)
Explain the role of handmade rug aesthetics in its economic and commercial position abroad
by: Iranian rug beauty is one of the main factors of rug revenue and art, which has survived the world of art and art. recognition of such beauties has paved the evaluation of rugs, and for this assessment, the appropriate criteria are also aimed at taking into account the quality of the country, regardless of the different economic and artistic values of the main subject of this complex, as if we imagine in the current world, that the value of the value of the quality of the material and the value of the value of the value of the material needs of Iran is defined in terms of the value of the value of the value of the value of the value of the value of the value of the value of the value of the matter. Key vocabulary: Beauty, Handmade rug, Economic and Commercial. .
Publish Date : 1395/04/01
Creator : And every one of them
by: Handmade rugs have been found throughout history by having different artistic, economic and conceptual capacities of special effects along with their functional and consumer dimensions. In the history of journalism and travel, it has always been taught from expensive and exquisite carpets to mark the grandeur of palaces. This shows that carpets have evolved more efficiently than their consumer value. The research has been conducted in a descriptive and analytical manner in which the reviews are based on library studies and the image of the remaining paintings from the mid-18th century/12 lunar, as well as the list of properties of some kings in order to examine the shape of consumption and the context of its consumption types. Since the historical documents of all European countries were not possible, we will pay the most widely dispersed examples in different and important countries economically, commercial and artistic. The results of the research show that following the prevalence of textile consumption and their importance in decorations and in the prevalence of culture of performing a representation of the Middle Ages later in Europe and among the upper classes of society and then among the middle classes of society, there was a kind of symbolic and unfunctional value for hand-made rugs. The findings suggest that in the Middle Ages as well as the era of capitalist popularity in Europe, the rug was an element of wealth and the symbol of wealth and the symbolism of the part’s identity for its owners. As the rug was used as an important element in the decorations of palaces, mosques, churches and paintings, and its "useful use" as flooring has given its place to "a symbolic use". Research goals: A review of the shape of handmade rug consumption and its changes in European countries from the Middle Ages to the 18th century. Review the reasons for changing the use of handmade rugs into hanging walls in Western countries Research Questions: How has the shape of the consumption and operation of hand-made carpets in Europe from the Middle Ages to the 18th century? What are the areas of the rise of hand-made carpet wall consumption in Europe? Key vocabulary: hand-made rug, pretend consumption, consumer value, symbolic value.
Publish Date : 1397/10/01
Creator : Mahella Bedi (Dr. of Art-education University of Tehran) – Dr. Reza Equival (the knowledge of the Department of Arts-University of Education of Tehran) – Dr. Javatani (the knowledge of the Archaeologist Group – the University of Education of Tehran)
The global market structure of hand-made rugs and Iranian export target markets
Knew. The current research aimed at determining the type of global trade structure of hand-made rugs, the Iranian rug export structure, with the commercial government and the identification of its target markets. The research of seven sectors includes the introduction, opinion and methodology (in two axes of the market structure and target markets), the global trade structure (export and export), the export structure of Iranian hand-made rugs with commercial evil, the relationship of pure exchange and the income of Iranian export carpets, Iran’s export markets, the result of proposals and proposals. The results of the research show that the structure of global hand-made rug trade from multilateral monopoly has faced volatility during the ٢٠٠٠-١٩٧٥ period. A review of the global trade structure also states that the multi-scale monopoly structure of exports has been transformed and has been stripped of the monopoly power of its exporters, in contrast to the import structure of carpets from multilateral monopolies. Comparing global exports and imports is a hand-made rug that is monopoly of those importers to exporters. Iran’s rug export structure shows with the commercial government that rug importers of Iran have not been stable in terms of the fact that during the 1358-67 years the Iranian woman’s bargaining power has been established among the importers, but during the 1368-80 years, the first development program has been entered into the vast number of countries’ monopoly powers. Shadan is concerned that the major countries importing hand-made rugs from Iran are re-exporting to markets of non-existent consumption, and in spite of the important center of global production of hand-made rugs in the Near East, countries from Europe (Germany), East Asia (India), Persian Gulf (Arabic sites) are the main commercial hubs of global rug-made goods. Iran’s net export base exchange relationship declined in 1358-80 years with fluctuating, and the increase in its export volume has led to the exchange of revenue. It improves it. At the end of the 1990s, countries with the target market of the export hand-made rug have been identified as the target markets of Iranian hand-made export carpets. The current research has ended with the collection, policy recommendations, recommendations and final considerations. .
Publish Date : 1383/01/01
Creator : God’s Word is a powerful man
چکیده the presence of some problems in the field of marketing, supply and provision of post-sales services to customers in global markets has caused significant problems for the hands of iranian hand-made rug industry vendors, and despite the product supply, we see the decline in iranian hand-made rug production and export in recent years, and in general, more than other competitors abroad. in this research, it has been attempted that by exploring various models of e-commerce and studies conducted in this context, how to apply and use of participatory systems, a model for the barriers of electron trade in the export position of iranian handmade rugs, and through questionnaires and taking into account the five points of μ=3 as the elements of the iranian model were proposed in a few ways to export the production of the production of the goods and scale of the world. problems and barriers related to information infrastructure 2 – problems related to infrastructure law, rights and security 3 – problems and barriers under human structure, education, culture and behavior 4 problems related to customs, merchant and tax structures 6 problems related to technological and hardware structures under financial and software structures. keywords: e-commerce/electronics and e-commerce/processors/wires / hand-made/collectives
Publish Date : 1388/07/01
Creator : Dr. Ibrahim al-Haqir is the guardian of the Covenant
چکیده Iran’s hand-made rug is one of the most important sources of currency revenue and major export items of the country, which, according to its special place in global markets as well as because of the need for countries to cut down on oil revenues, efforts to develop rug exports can lead to the growth of the country’s economy and the abandonment of the technological economy – as one of the major objectives of the economic development program. To identify effective factors in the development of Iranian hand-made rug exports, the research is focused on the dimensions of the markets in order to attract the attention of the country’s policymakers and decision-makers to this important and necessity of replaying its policies. In this regard, with a measure of experts and the method of factor analysis, seven major indicators were identified in four economic, social, political and technological environments, which include the distribution of income and lifestyles in the target market, monetary and financial policies and exchange rates in the country, tariff and non-profit barriers, international pressures and applications. Subsequently, research assumptions have been studied by the use of unpared dark tests of a two-and-a-two sentence, and based on the results, all seven assumptions are confirmed; intig, the effects of the review on the development of Iran’s hand-made rug exports are known. Also, the test was used to compare a couple of different criteria. The results are that the international pressure rating is bigger than all other categories. Keywords: Export/ Carpet Development/High-wire environment
Publish Date : 1391/04/01
Creator : Dr. Dr. Frequential-Free Speech
Examining factors affecting the decision of Iranian handmade rug importers in the EU
چکیده The main aim of this research is to identify effective factors on the decision of Iranian hand rug importers. This applied research and in terms of the type of data used is qualitative. Research data was collected using interviews with Iranian hand rug importers in the European Union, which were present in Tehran’s twenty-fifth international exhibition of Bachov. The sample method was available and used to determine sample size. Accordingly, 14 Iranian rug importers were interviewed to the European Union, 11 of which were originally European and three Iranian residents. Information analysis was conducted using qualitative content analysis. The results of content analysis led to the identification of 233 primary codes that were classified as 62 selective code. With the review and purification of selective codes, 38 subvert themes were identified, eventually classified as the top five themes. Some indicators had a positive impact and some negative impact on the decision to buy Iranian carpets. Five main themes identified are: “The product, price, distribution, promotion, and environmental factors.” Some of the indicators identified in this research, such as ordering in production, supply quality, negative media space against Iran, the uniqueness of rugs, having a secure business partner in Iran, providing unauthorised international certificates, economic status in the country of destination, etc., have been cited for the first time and from the point of view of importers, demonstrating the distinction of this research with previous research research on carpet marketing. Keywords: Buying import decision, Iranian hand rug, rug marketing, EU, qualitative content analysis
Publish Date : 1397/01/01
Creator : The National Court of the CIA – Muhammad Ghafernia – rare and rare
A half look at the design of the master's design
It is not possible to explain the art of the master of Rasht without the recognition and definition of rural rugs. It should be known that rural women of Persian civilization did not hand in rug tissue for income or material production. Our early ancestors believed that the world did not comply with laws outside our minds, and that the outer world was built or dependent on our intellectual structure, and that for the realization of our dreams and desires, we would only be mentally focused on that desire or wish, then in the outer world. The rural woman did not intend to sell or create artworks to carpet tissue, but believed that if she created her dreams in a world like rugs, she would be found in the outer world. It is media. The mass media of the people of this land, however, came when the West realized the importance of these historical documents and tried to collect these documents. As the demand for the media increased, other artists were added to the Jerga and made plans for the rug that had been mentally ill until then and produced in urban workshops. But the master of the city had abandoned the race of the city, and he started his first rug with a plan that had not reached anyone’s mind until that time.
Publish Date : 1399/03/19
Creator : And the shame of Muhammad
"It is a world that is calm.And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.He has it.: Time time.A rare and unique element in human life that is not the same.He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.O thou who hast spoken unto me,And he who has always taken a deep and different look at the Iranian carpet.Fer, Professor of Kashan University and researcherThe familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.But in the depth of the Iranian carpet, they have a strong and historical presence.They can restore us to our inner, calm and authentic life again..And they say some of their precious words.I will.
Publish Date : 1405/01/22
Creator : The knowledge of the knowledge of the master.
This article is not the case, but it is an attempt to answer what Iranian rug is.
Even though ancient discoveries still exist.And, by the way,The face is wide and astonishing.And they have a variety of flowers and carpets.History is against us.But the main question remains for the examiners.In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.and the shape of the palm.title of a phenomenon.[1]It’s social and a pre-emptive note.It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.
Publish Date : 1404/06/20
Creator : The Iranian-made carpet researcher
IntroductionIn contemporary society, critique of an essential tool for dealing with complexityThe growing arts has become today’s art because of its characteristics.like the foundation.Discipline, identity rethink, addressing social issues, passing through style.Science and beauty.Classical Biology, concept.Main and pluralism in form, matter and meaning, constantly new dimensions.You are.And every day, it will be complicated.It's more.It will become. In the lack of cash.Many, many layers.FormsCognitive, beautiful.Cognitive, intellectual and social works of contemporary art.And that is what it does.It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.It has become an analytical and interpretive paradigm that is capable of layering.Multiple Beauty.Cognitive, social and context.To reveal the works of art and to the possibility of deep understanding.More than that.And he made it easy for him to do it.He moved to the understanding of contemporary art..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.random face and seeing a few flowers.They are full of magic.Hand of hand.He became Iranian, and despite his family’s inner desire.She decided to take this field at college to college.Follow seriously.His promise is to fight for art that is not so valuable at university.It was, and perhaps art is not known at all.He was born in 1385 from the University of Art of Tehran.He was taught and walked in a path that was determined to succeed.
Publish Date : 1404/06/20
Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design
Look at recent news and events in different areas related to hand-made rugs
First event: How did Iran’s National Handphone Day go? 20 For the National Week of Iranian Handmade CarpetHenry Olden and the symbol of Iranian culture and identity this week is an opportunity to pass the heritage of carpets, emphasize its preservation and promotion, and reminding his important role in the domestic and global markets and transfer this treasure to the generation of the treasures to the generation.Futures..Let’s look at the events of this great day...
Publish Date : 1404/06/20
Creator : The Iranian public relations unit.
Look at the signs of the sale and export of the hand-made palm
In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..
Publish Date : 1404/06/20
Creator : Iranian content production unit node
Our priceless rug is welcome to market.
and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.It was forever and what it was like to see the faithful team.Drink and drink tea, and drink.Milk sales and maps.And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.It was for the city, and we and I were under the roof of the market with that particular architecture.They will be comforted and peaceful.We arrived.
Publish Date : 1404/12/20
Creator : Guest worker, carpet expert, PhD in Communication Science
Review of Iranian trade and carpets from the Safavid period so far
This review article.Set on Iranian rug trade and value from the Safavid period to the contemporary period (the time opening of 1300 to 1370), in which to the start of Iranian rug trade during the Safavid period, the development of Iranian global rug trade in the Qajar period and the Iranian rug value in the market within the period of 1300 to 1370 of the Solar Solar Sun.It was made.It is.
Publish Date : 1404/12/20
Creator : The Magician, the University of Kashan
In fact, they are the ones who are in the right place.
If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.Cash, before everything, is an attempt to understand the effect, recognize the characteristic.They and why it works.It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.And wait for that horizon.He is the one who makes it easy to judge.The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.There are indications in which art is defined, described and evaluated.and shall be judged.How do you see an effect?What awaits him?And what is the foundation of value?They are investing.It depends largely on its position in this economic field.
Publish Date : 1404/12/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Review of Iranian rug value in global markets
A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does notIt can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.I have experienced myself.Those who are familiar with the logic of the global economy and with the layer.Hidden Cultures and MeaningsThis number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.Common: Rereading Iranian rug value in the contemporary market.
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
He is the owner of the land and the owner of the land. In the trade area betweenThe name of some people is tied to the blossoming period of an industry.He is the 13-year-old walk in the corridor.And the full.And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”They are hidden in the name of the producer and sometimes in politics.They lose money.It will become.
Publish Date : 1404/12/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
From graphics to redefinition of value in the Iranian rug market.
The story of career path.I wish the young Iranian carpet market activists. Sometimes career path.Adam.From the same point.You start.Not thinking.They did, but the future.They take them.Make it..
Publish Date : 1404/12/20
Creator : Iranian content production group of nodes.
Take a look at the most important recent events of hand-made rug.
First event. International Exhibition of Research, Technology and TechnologyMarket and advertising, marketing. 1404 Official story of what you are talking about.We read: 2020The show betweenInternational Research, Technology and TechnologyMarket and 20The exhibition betweenInternational advertising, marketing was held.
Publish Date : 1404/12/20
Creator : The Iranian public relations unit.
Journalism in Iran’s contemporary hand-made rug focusing on the works of Romeola III
Iran’s hand-made rugs in the contemporary era have initiated new cognitive, conceptual and functional experiences, these experiences have created new streams that are required to be categorized as distinct from Iranian handmade rugs.«Iran's contemporary handmade rug.»By emphasising the exact concept of contemporaryity in art, he learned that the contemporary hand-made rug of Iran, at the same time the cognitive, semantic, technical, practical and economic form of Iranian hand-made rug traditions, is a new form of hand-made rugs that is needed to define and accurately define its position, based on the principles of artistic critique. In other words, the word of magic is an unforgivable,Subdivision, rejection or exclusion are not the effect, but the nature of critique, the evaluation of artworks, the precise recognition of artistic, aesthetic and semantic characteristics and the discovery and expression of the specific values of the works and achievements of artists and awareness to audiences in contemporary times, audiences in the art world have become an important place, and the artwork of interpretation to use, confrontation and how the audience interacts with this important artistic point of the artwork is prepared.«Each cash is considered strong enough to give them a understandable assessment, in a way that leads the audience to discover the values of the effect.»(Carol, 17: 1393) Another important feature of contemporary art critique is actually the first text and writing of art, and the rest of art writing are always formed after criticism, so the critique is always needed in the most contemporary artwork and its aim is to locate, locate, classify and determine the precise position of contemporary currents in the art world and history of art. One of the most important approaches in Iran’s contemporary handmade rug is to use line and calligraphy as an element of cognitive form, identity and cognitive meaning, which is based on the struggle that this particular current art of contemporary hand-made rugs is recognized with the principles of artistic critique and its proportions to the flow of contemporary art as well as Iranian handmade rug traditions.
Publish Date : 1404/03/20
Creator : Mehdi Farmer, an assistant professor of art research at the University of Teacher Training
The story of a “time” designer in the hands of Sir Mary.
In this context,from the«Time time.»In Iranian handmade rugs, especially carpetsDesigned or designed by the Lord.For this purpose, it is necessary for this purpose before everything to have a hand-made rug ratio with the concept of the concept.«Time time.»Let’s identify the point of view.Iran’s unique rugs say this.At least in three senses: The first effect.«Time time.»In the works of an artist such as the Lord,O and the artist's style.«Over time.»He knew that under the shadow.Heavy time conditions such as political, economic and social conditions, the artist has made changes in his art.These conditions in Persian.«Time.»They would eat.They say they seem accurate.Best and appropriate.The most important word is the effect of the time on the works of an artist such as J.S., it is important because in time.And he is the one who dwells in the darkness.He's in.«Part 1»to this. The category is paid. In the second sense.How to Open the Element«Time time.»In Iran’s hand-made rug, it is based on the position of time as a place of time.A Samantha.The donor.And they will be able to do the magic of the hand.In this section (second) the cash is believed to be common.Iranian art, then.«Unless.Time time.»Names.They entered, and instead, the Iranian rug is dominated.The system.from the«Time of non-disclosure or time.»It was known. In the third part, when the process of creating an Iranian hand-made rug or in a sense that«Part 3»It is said, in the sense.«Slow slowly.»In the process of creating an Iranian rug. It is.
Publish Date : 1404/03/20
Creator : Professor of Art Research
Passenger from Time: The introduction of antic rug and the Frost Museum
In the history of Iran, wonders and appearances are not low. Then the king’s glory comes from our heads and shows us the art market, and sometimes the fall of Sultan Hussein’s era, the sweat of shame on our foreheads, of the intensity of cultural and artistic decline. In this article, but we have a passenger. 250 250 The year when he tells the story of his observations..
Publish Date : 1404/06/20
Creator : Professor of Art Research
Look at the horizons for sale and export of hand-made silk
In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes
Introduction Iran’s contemporary hand-made rug from few phenomenaIn the world of art,It can too.Cover the floor time and conquer the gallery wall.«Also, too.Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.It was an economic product and a skilled product.Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.tradition, tradition.Visual and transformation.And the taste.Beauty.← Psychologists.O thou who dwells in the centuries.In this continued civilization, they maintain themselves.and return.They are shining. In contemporary times, on this layer.Before available, layer.new ones.And it is the one who has made it.Especially in the realm of art, complex.On the one hand, contemporary art is made with the logic of concept.Question and question.No, no, no.title of a decorative commodity, whichas media.For an idea.The narrative,and worries.Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.Traditional ovens are no longer just the means of producing a commodity, but the media itself.For the creation of art.They come too.Time, expansion.«Design design.»toThe title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.It can too.Time of a floor.A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.He has become more. This is a few characters.Ability through two distinct theoretical concepts but complementary facial expressionsThe first concept,«border object.[2]»Star and Ferrari in the communityScience is introduced.They are concept.«border object.»In this theory, to object.It points out that while maintaining its material integrity, it is possible to interpret differently among the system.They provide knowledge and social heterogeneity.They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,Along this reading, the situation.«Among theIt was you.[3]»They will.power toAs a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.face stabilized.They do not exist, but in the process of continuous exposure and translation.They take this situation.power in relation to concept.«Third space.[4]»Father's face.He said, where the meaning is.Liquid space between tradition and modernity, center and around, and the domestic and global production.It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.power totitle of a title.«Border object is translating.»He also considered it.Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.It was shape.Take it. Combining these two concepts, the exact picture.More of Iran’s contemporary handmade rugs.And the carpet, on the one hand, as a«border object.»Between the world.There are different social groups and between them.Translated.On the other hand, as a phenomenon.with a feature.«Among theIt was you.»In none.One of these worlds.to them.Not completely solved.And it keeps a unique, fluid and multiple identity.From this point of view, the contemporary rug of Iran’s hand-made rug.power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.It is the boundary that is the horizon.The future of the hand-made carpet.Maybe the carpet is hand-made.It can too.Time of a floor.Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.Based on a design event,And none.One of these roles.They will reject other things.You need an analytical framework that can.Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.It was mostly based on approaches that each given one aspect of this border phenomenon.They are research.Historical, hand-made carpet toAs a document from the period.Previous studies.And cultural and cultural studies, it tosymbol of Iranian identity.Technical and economic approaches also analyze hand-made rugs in a workshop product.They are based on theNumber, raw materials and scalable market mechanismsIt's also packed.Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.Regional Biology.And they tried to do it.Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.They are, but nothing.One as one.«border object.»I haven’t seen it.His identity is not in compliance with a framework, which is right in line.«Among theIt was you.»And a sail between it.shape.Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.He is a journalist.It can be found, not in style.Biology, not in analysis.Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.They are the discourse they make.It can not be a few.title of a class issue.by which,The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.new ones.You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history← Style, Style.Biology and technical description are separate.Not only the method of analysis,It's time-consuming history.Poetry to the past.Do not look at it, nor do it.Biology within the framework of known rules.to the floor.The works.Paying.In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.and possible.They will take the future.Maybe they are.(Belting, 1987)If history.Ask the hand hand-made carpet.«How do you find this magic?Does it take?»cash,Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?Or maybe?»This direction.The future.Then he turned the cash into a conversation.It slows it.It can also be with contemporary handmade rug dynamics.Take a step, unlike history.And the past is fixed.Kennedy, it's from the past.And the way.He will bring them to the new generation, and the horizon.new ones.Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space
Publish Date : 1405/03/18
Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training
In this section of the journal’s teachings, handmade is addressed to the most important legal questions related to Iranian handmade rugs. In each number, an applied question in areas such as contracts, purchases and sales, ownership, exports, trade disputes and legal issues of the hand-made rug market will be reviewed by official justice experts and answered clearly and documentedly.The audience can also send us legal questions to answer them in the next numbers, with experts. The aim of this sector is to increase the legal awareness of activists, consumers and enthusiasts of the field and to help make more accurate decisions in transactions and activities related to hand-made rugs..
Publish Date : 1405/03/18
Creator : The Magician of Justice
Iran’s future landscape, from its existential wisdom to sustainability in the global economy.
In this number of sections.«Eye eye eye.Saving savings.»He said to him.We went to an understanding of the future of the Iranian rug, which is based on a vision.Mr. John Al Isaac’s Cultural and Economic Affairs, President of the Strategic Council of Iranian Handmade Carpet and said beyond one.And the magic of the soul,«Iranian historical wisdom.»and«necessity.Today’s global economy»They would eat.He is paying attention.. Al-John.Isaac from the face.Known.Economy and politics.Investing in Iran is that his look at Iranian hand rugs is not purely from an artistic or heritage perspective, but rather as a form of a heritage.«Economic-cultural ecosystem.»Analysis.To survive and compete.Tolerance requires the redefinition of the production structure, transparency in the value chain, and an effective connection to global markets, at this glance, the Iranian rug is a living system of production, design, commerce and meaning that if it comes out of the orbit of the contemporary economy, it will gradually move away from its global position.. The main axis of this said.It is a reminder of what they say.Its power.«Wisdom is in the dark and in the right place.»He called the historical wisdom.You who are during the century.in important places.Iran is formed and is facing a serious challenge today: how to turn this heritage into a sustainable economic advantage in the world of network networks.O, data,and full-hearted,. Based on this, this eye.Saving is trying.To reshape the ratio between the past and the future in Iran’s hand-made rug, from one.And with an emphasis on the value.Iranian civilization and cultural identity, and on the other hand, focusing on necessityLike economic transparency, infrastructure developmentIntelligences, the role of the new generation, and the reestablishment of handmade carpets in contemporary life. What continues.It is a path to cross the crisis.and to reach a pattern in which«Iranian rug.»They can too.Time to carry meaning, identity and economic value on a global scale.
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
Vision of the Chamber of Commerce for Hand-made rugs
Talk to Iranian Muhammad, head of the Chamber of Commerce, Industries, Mines and AgricultureIn this number of the “super eye” section, we moved to Iranian Muhammad, head of the Chamber of Commerce; a manager with the education of metallurgy engineering and the Master of corrosion engineering who has been active in the private sector and in the field of industry and production, especially the polymer industry. He has a history of CEO management, membership and chairmanship of several manufacturing and industrial units, and his career path from the heart of the industry and economic associations, a path that has finally taken into account with the confidence of the economic activists of the province..Iranian Muhammad is a representative of a generation of private sector managers who have looked at hand rugs not from a purely artistic angle but from the perspective of economics, market and policymaking. The same approach specifies the framework of our dialogue: Iranian handmade rug as a cultural-economic sphere that requires structural reform and look to survive..
Publish Date : 1405/05/03
Creator : Iranian content production group of nodes