In this context,‌from the«Time time.»In Iranian handmade rugs, especially carpets‌Designed or designed by the Lord.‌For this purpose, it is necessary for this purpose before everything to have a hand-made rug ratio with the concept of the concept.«Time time.»Let’s identify the point of view.‌Iran’s unique rugs say this.‌At least in three senses:

• The first effect.«Time time.»In the works of an artist such as the Lord,‌O and the artist's style.«Over time.»He knew that under the shadow.‌Heavy time conditions such as political, economic and social conditions, the artist has made changes in his art.‌These conditions in Persian.«Time.»They would eat.‌They say they seem accurate.‌Best and appropriate.‌The most important word is the effect of the time on the works of an artist such as J.S., it is important because in time.‌And he is the one who dwells in the darkness.‌He's in.«Part 1»to this. The category is paid.
• In the second sense.‌How to Open the Element«Time time.»In Iran’s hand-made rug, it is based on the position of time as a place of time.‌A Samantha.‌The donor.‌And they will be able to do the magic of the hand.‌In this section (second) the cash is believed to be common.‌Iranian art, then.«Unless.‌Time time.»Names.‌They entered, and instead, the Iranian rug is dominated.‌The system.‌from the«Time of non-disclosure or time.»It was known.
• In the third part, when the process of creating an Iranian hand-made rug or in a sense that«Part 3»It is said, in the sense.«Slow slowly.»In the process of creating an Iranian rug. ‌It is.

Part 1: Time

As mentioned, we are in Persian to all conditions dependent on a course.‌Time, such as political, social, economic, intellectual, cultural and ...«Time.»They would eat.‌We say today.‌We know role.«Time.»Art works are undeniable, especially if the artist is in time.‌You have lived to experience strange things behind each other.‌I want to fill.‌Power in the course.‌At the time of the life of the great artist of Iran, Ali Maryam al-Malaam, was better at understanding the influences of the time on his art than during his childhood, and exploring the transformations of his style and conduct, in the first environment affecting the spirit and talents of an artist, his family circumstances, which were very powerful about the man’s son’s equality.

He was in 1300.‍He was born in a family of painters and craftsmen and calligraphy.‌He said that he was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the only one who was the one who was the one who was.‌In the course.‌He was a witness.‌Or are they the sons of Levi?‍It was a great number of other painters and conspirators. .... They have been working in the covenant in Isfahan and Tehran.

His father, Al-Madiq (Major) in 1322.‍It was also a painter, of course, because of his caution.‌They are not.‌He and the flowers.‌And the fuck.‌He was a young man, and he was a teenager. The lessons of the field did not show much talent, with this background.‌And the Father, the Son of God, and the Son of God, came out of the truth. Thus, according to time conditions in the period.‌The Magician.«Painting painting.»Not a decent job.‌It was based on the father and son working almost secretly and far away from observation.‌They did.

When the father died, he was 22 years old.‌The day of day.‌It’s time to continue.‌His artistic path in shadow.‌Social, political and economic conditions are addressed.

Imagine the artist in the course.‌fate.‌An important and important creation is born under the command of the legend.‌O, O, and the art of the wicked, as they were, they saw the time of the throne and after the passage of the period.‌constitutional and occupation of Iran by Russian‌English and English.‌From Iran’s great famine to slavery, the prosperity of the traditional arts market under shadow.‌Accidents related to the change of the Iranian regime have understood the Qajars on their side, and inconsistent times.«Modern modern modern.‌To the past.»Which in the course.‌They keep track simultaneously.‌He entered from the era of art.‌He is healthy, and he will be able to live in the city of the city of the city of the city, like Isfahan, with the clothing of religion, and in spite of the style of fear in the family.‌We have religious Qajars, the painter’s daughter has delivered to the community.‌And in the lesson.‌In the field, they have warned him of the Jews and at the same time in the art market, he has welcomed a close friend of the totalitarian merchants, all who mentioned it is the only corner.‌of internal events of the time.‌He was the Lord, if all of them. We also consider the importance of exploring the world.‌They understand better over time.‌It becomes.

During this period, the Golden Day of the East boom.‌We are in Iran, and Iranian handmade rugs as a popular commodity, the top of the museum.‌Collections, collection.‌Private and private.‌The magnificent bankers and the rich have become this global fortune over the course of the period.‌Mohammad Shah Qajar was attracted attention to Iran, but until the long reign of Nazareth.‌The Shah, who ruled Iran’s relative stability, for the general public‌People of these global developments were not understood.

from the course.‌Nasseri had Western attention to Iran’s art and culture, and for artists and merchants of little antiques.‌Less space is improving.‌It was during this time when Mr. Sasha found his favorite artistic way to help an English woman and pursues the greatness of the work of Safavid masters.‌He did it himself.‌He says.«I was a young man who worked himself.‌I was not familiar with the old painting one day of English woman to the stone.‌I came and suggested with my two students for Garrett.‌And the great ones.‌We worked for him because in those days I was very disappointed and anonymous.‌I knew in painting.‌Excellent.‌So what is the magic of my life, and I am the one who has done it.‌I became Iranian art and in the field.‌Old old.‌I fell and I came from those blessings to the Master's position, but then I was in the same stone, and my art was not bought.‌And they wanted me, and they wanted me.»1375: 323)

At this time, under the boot.‌They are the ones who are the ones who are the twelve.‍The year.‌You are afraid of artistic isolation and art.‌And you will be able to spend the time in the city and in the garden, and even the king.‌There was a great deal, but it was a reminder.‌In the history of the Lord, and the journey.‌The world-class Europeans who came to Isfahan at that time.‌It turns out that the Isfahan art market and the economic situation of citizens during this period has been very dire as far as the manifestations itself.‌In the history of mourning.‌He says.«They had been destroyed, and they were destroyed, and they had not had a lot of jobs and incomes.‌And they did the same thing, and they did it.‌Repetition of the people behind.‌Has fallen.‌One of the signs around you will lose.‌They gave them.».

His departure to Tehran led to a better understanding of the global market and more than ever received taste.‌The world has increasingly called for Iranian art, based on the choice of the way to choose.‌from the«Old old.‌Creating.»Or the same.«Iranian Iranian Iranian‌Creating.»He was more confident, and after he returned to Isfahan, he continued to do so, and to the buyer of the patriots and foreign merchants.‌They looked at him and the lights of this city.

Leila Diba in the article‌A little book.‌At least the old industry booms.‌There are indications that in Tehran, such as the Old School of Industries and in Isfahan, a group of artists are involved in the سرکردگ سرکردگ‌Review and revival of the method.‌They are ancients, but they are all.‌World events of the Time‌Haji was not in line with his intention, for example, he witnessed the World War and Grants, which, in the meantime, was a contract with a foreign company closed for the texture of more than a hundred rug boards, which, as soon as the contract, the price of the World War, multiplied the price of raw materials, but he who adhered to the covenant and needed to himself.‌He knew that he would have sold his property and property.‌He delivered them with great quality and caused his bankruptcy.

In addition to the stylistic developments of the time, issues, techniques, application and dimensions of his works, he has also been severely influenced by the time since he did not in any way the great art work.‌size that needs capital.‌First of all.‌He has not done much or a long time in the process.

In this period, we have no hand-picked rug or fuel cover, and more work in the field.‌Seen.‌in the way.‌commercial and raw.‌It was hand after the project was done.‌Greet.‌But they are full of evil.‌The art is purely Iranian and follows the wisdom and greatness of the art of ancient masters.‌It is worth noting that an Englishman who is eager for Iranian arts is also not ineffective in the choice of the artist because an Iranian in the mirror.‌Other non-Iranians identify their identity image better‌until they are alone with themselves.‌They are related as theory.‌They are like a home.‌Father today believes.«Knowing yourself without existence.«Another other.»Aliens can‌It is not possible because the image of an alien from us makes us aware and understand new funds.‌A identity.‌Returned.».

His journey to Tehran and acquaintance with the artists of the Assembly‌He also created the magic.‌traditional. Isfahan was inherited in his family or in relation to society.‌And the art of Isfahan.‌It was with him, and he took him.‌Like fans.«Chinese Chinese Chinese‌Creating.»And as well. Then he will come to the magician.«fuel.»We are by him and his students who have been a technical forgetfulness of the Safavid industry.‌He was saved in the family of generations, and by changing the cultural atmosphere of society, the fuel chain that always runs on the line.‌It was built as a wall sign.‌He was a great change in changing his artistic path.‌Regular and thriving carpet management. They would eat.‌For the greatest producers of his time, such as the real-world map.‌They also design a hand-made rug.‌He has made an ancient fever boom.‌Society’s luck to historical issues as well as the common concept.«Homeland.‌Worship of worship.»in the course.‌And the Lord’s Word is the same.‌and the scene from him.‌Master of Literature and Myths‌You see the time of the day, and‌One of his famous works during this period.«Mother's mother.»And it is also in the form of magic. 

Part 2: Show time

Conceptual concept.«Time time.»In visual arts until the century.‌The past was not considered, and the theory.‌Artists did not pay much attention to this issue, even Gutfred.‌from the«Image and Time»To date, the analysis of time and time has been completely absent from the principles of art theory and art history.(Boehm, 1987, 22)When Lesing«Time time.»As an agent in the two-dimensional art, he analysed time and place together and reached two time representations in visual arts that name them.«Also, too.‌Time time.»from one side and«The time ahead or consecutive.»He is the one who is the only one, and the other, the two.‌Art. Iran and especially hand-made rugs need revisions.

More theory.‌Those who talk about‌Time in Iranian Art‌And they have it,«Timeless.»They think, and they are trying to do so.‌Provide funds for Iranian art, but in fact everything that happens in the matter inevitably lies in time.‌On the other hand, the same Platonic theorists believe Iranian art.«The narrative.»There are hundreds of things that seem quite accurate and accurate.‌But the problem is that narrative isn’t out of time.‌It can happen on this basis. Written claims.‌First, in the Iranian carpet, the element is also an element.«Time time.»There is, and the event is very basic, but the point is that time in Iranian handmade rugs is time.«I am ready.»Or or«Unless.»It is.

 When they flower.‌Look at the carpet.‌Let's go, flowers.‌We find the king of the Abbasid from the beginning of the main clause to the end of the paragraph, uniform and complete, and in none of the works of burnout, failure, or even moment.‌They do not budge.‌We find all the flowers in other words.‌They are at the height of their bloom, and we do not see life from the time of sprouting to burnout, which means a lack of linear time, as well as in the different parts of the hand-made rug, which is unlikely to find an Iranian handmade rug that you can see when planning.‌As we see in Western art,‌It can be understood that the line of Siri is from beginning to finish, meaning time in the majority of Western art history.«linear line.»Or or«uniform.»For example, in a famous way.«Third month.»It is as if all those who are executed before that moment.‌Let us take the risk of trigger checking and execution at any moment.‌But the traditional Iranian design point, especially the design of the rug, is in the absence of time!

Levels and sections.‌Different Iranian handmade rugs are all happening at the same time, and we arrange time in it.‌We don’t find them.‌In Iranian hand-made rug we see a totality that goes to the part of the Iranian handmade carpet.‌Smaller divides (folks, trio, etc.) and these sections are also broken down into smaller levels, which are surprisingly no one on the other is superior or superior.‌from the«Location.»Placing in Camping is more attention, as well as the value of designers.‌You have a level with other parts..

On the other hand, the viewer in the Iranian hand-made rug is all at hand.‌These pieces of wisdom are found equally.‌Take the photo of Western art, which the viewer, like the real world, is caught in the disturbing hands.«perspective.»And they are still part of it.‌distance, more or less.‌Look at the Iranian hand-made rug, but it is a chance.‌It turns out that for moments it has escaped from the reach of time and place without limitation.‌The real world, in an imaginary world, all‌Creatures see the universe equally, accessible and clearly, the Iranian handmade rug designer is so committed to displaying this imaginary world that he does not have a simple five flower.‌And the effort is safe.‌All these five horns are displayed to the viewer in the same size and in the most specific view (regardless of perspective) that his effort is admirable, an effort that seems insignificant, as if only the design of a bloom is the simplest, but in his practice he is the representation and creation of a world in which there is no trace of the limitations of the life of the universe, and of course, all the elements of the universe are not as the universe.‌It can be seen in the most complete form and regardless of time or place cultivation, covering no other role, no farther than the other, and, in total, no score is even more important than the other.

There are indications of the fact that there is no such thing as the Lord’s Word, or the Lord of God.‌That's because it's like.«All knowledge.»In the story, he is aware of everything; every role is clear to the viewer, and there is no secret in this world at all, there is no opportunity to hide anything because everything is in full disclosure.‌You can hide behind another element, not‌You can distance the viewer from being smaller, less in the field of view, not even‌They can be fooled, and the viewer’s senses with visual tapes like images.«Focus points.»He noticed another element, on the other hand, the flowers and painters are bound to reveal their representative view, i.e. the viewer of all angles and lengths and dimensions they see best.‌Our painter does not allow any flowers.‌He may even turn the edge of his flower slightly or not return! the drop of the dew is hidden behind this angle, and the viewer knows as much as the head.!

Colours are also pure in his works, not because they are darkened by sitting around the dust of the time, not by the distance of the viewer, they are caught and defeated by light, not in the manifestation of the light of truth.‌They will do it..They take the light they have received from the artist, the whole, and the eyes of the viewer.‌And he will show up in his purest form.‌They will return.

Part 3: Slow

«Slow slowly.»One of those fascinating and of course forgets that most of all, perhaps, Milan Konra has pointed out that he is in a book with the same name, on the speed and pace of life in the new era.‌It is a pleasure and a pleasure.‌He saves.‌He knows that what happens slowly is the taste of the whole life that makes him taste.‌Old people, even though much less pleasure comes from us, because of the long and long-time Kennedy.‌To be happier and happier than us, he asks for a simple but shocking warning from his 21st-century audience.«We are slowly losing.! What do you do on our heads?!»

In the Iranian way, however, it is well spent on slow verbs.‌The process of creation is as if the designer, colorers, Bachele, Duhan and Caliph,... and even in this today’s marketplace today’s niche.‌He said, “The salesman and the merchant.«forced to»It is better to say, of course.«Proudly proud.»They are slowly and patient.‌Slowing in the process of a creation brings it with pleasure.‌and suffering from suffering.«Crazy speed.»A new era of human existence.‌This great pleasure in the process of creating a hand-made rug board adds spiritual value to Iran’s handmade rug, as if the law.«You are the feet.»This is a law that does not exist in this world.‌Not coming, it will destroy.‌It is transformed from the other way, which means the unknown pleasure that the viewer and the Iranian handmade rug user receive from.‌In addition to what we have told today and have heard that it is the result of oldness, hand-made, artisticity and so on, we must claim that this principle is the result.«Enjoying pleasure.»It is also.

This slow process at the time of production leads to the creation of a kind of pleasure.‌It is not lost by the end of the carpet.‌They will also move to the viewer.‌This will be done.‌The power of the carpets at the same time: If we hear from the seller that the process of creating an Iranian hand-made rug board has been unconscious in us for eight years, we are creating special pleasure.‌It is a reminder that it will be a great reminder.‌But the same hand-made rug if it is woven with the help of new mechanical devices is assumed to be the same way.‌It is a fast, fast-paced process of creation.‌And praise and praise.‌The viewer will not receive pleasure from the previous hand..

In relation to the comprehensive artist.‌and chosen.‌This is the case of the Qur’an.‌traditional and time.‌Barry, in the design and coloring stages of handmade rug map, texture materials coloring, the process of weaving and finally,«pay.»A hand-made carpet board of rugs.‌And the magic of it.‌Includes the law.«Slow slowly.»And if you have ever met him today with an original hand-made rug.‌special from«Enjoy pleasure.»certificate.‌Give it.