23 Article found

Examining factors affecting the decision of Iranian handmade rug importers in the EU

چکیده The main aim of this research is to identify effective factors on the decision of Iranian hand rug importers. This applied research and in terms of the type of data used is qualitative. Research data was collected using interviews with Iranian hand rug importers in the European Union, which were present in Tehran’s twenty-fifth international exhibition of Bachov. The sample method was available and used to determine sample size. Accordingly, 14 Iranian rug importers were interviewed to the European Union, 11 of which were originally European and three Iranian residents. Information analysis was conducted using qualitative content analysis. The results of content analysis led to the identification of 233 primary codes that were classified as 62 selective code. With the review and purification of selective codes, 38 subvert themes were identified, eventually classified as the top five themes. Some indicators had a positive impact and some negative impact on the decision to buy Iranian carpets. Five main themes identified are: “The product, price, distribution, promotion, and environmental factors.” Some of the indicators identified in this research, such as ordering in production, supply quality, negative media space against Iran, the uniqueness of rugs, having a secure business partner in Iran, providing unauthorised international certificates, economic status in the country of destination, etc., have been cited for the first time and from the point of view of importers, demonstrating the distinction of this research with previous research research on carpet marketing. Keywords: Buying import decision, Iranian hand rug, rug marketing, EU, qualitative content analysis

Publish Date : 1397/01/01

Creator : The National Court of the CIA – Muhammad Ghafernia – rare and rare

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Expo 2020 Dubai is a powerful place to improve Iranian rugs in the world

Xp is a major global exhibition currently hosted in the UAE in Dubai from 1 October 2021 to 31 March 2022.

Publish Date : 2643/04/04

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Do you have any magic on earth?

After a century of my orbital carpets in national and international markets, silk-made carpets have always had a name among Iranian art lovers.‌O you who have a history of grace, culture, and identity.‌slow the year.‌It is a lot of people in the mind.‌The title of art and exquisite works is known.‌And sometimes they are on the walls.‌Then, under the roof of a luxurious mansion.‌Sometimes in the box.‌For generations.‌The next one will be remembered.‌And sometimes like capital.‌You buy and sell valuable.‌It will become.

Publish Date : 1405/02/12

Creator : The knowledge of the knowledge of the master.

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Carpet as a miniature canvas: A fresh narrative of Iranian rug with Iran’s Sinai Race

"The sense of curiosity and pleasure that exists in the touch of handmade rugs and living with it is far more and more valuable than watching it." In the year.‌More recently, the art style of insight.[1]It has attracted me more than anything else, which is why in cyberspace and the internet, it is always new.‌Follow the news about this style.‌About two years ago, when reviewing the artists’ pages of this area, I filmed Alex Gray.[2]I was sitting next to the carpet.‌with a map.‌In the same post, the name of the creator was mentioned:Sinai Iran.‌Race.. [1]- Visionary Art [2]from known.‌It was made.‌Best and most influential face.‌The art of vision.

Publish Date : 1404/06/20

Creator : Saeed Fishing, researcher of Iranian art and hand-made rug

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Identity openings in Iran’s contemporary handmade rug: hand-made rug critique of “war and peace” by faithful honey.

IntroductionIn contemporary society, critique of an essential tool for dealing with complexity‌The growing arts has become today’s art because of its characteristics.‌like the foundation.‌Discipline, identity rethink, addressing social issues, passing through style.‌Science and beauty.‌Classical Biology, concept.‌Main and pluralism in form, matter and meaning, constantly new dimensions.‌You are.‌And every day, it will be complicated.‌It's more.‌It will become. In the lack of cash.‌Many, many layers.‌Forms‌Cognitive, beautiful.‌Cognitive, intellectual and social works of contemporary art.‌And that is what it does.‌It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.‌It has become an analytical and interpretive paradigm that is capable of layering.‌Multiple Beauty.‌Cognitive, social and context.‌To reveal the works of art and to the possibility of deep understanding.‌More than that.‌And he made it easy for him to do it.‌He moved to the understanding of contemporary art..

Publish Date : 1404/06/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Look at recent news and events in different areas related to hand-made rugs

First event: How did Iran’s National Handphone Day go? 20 For the National Week of Iranian Handmade Carpet‌Henry Olden and the symbol of Iranian culture and identity this week is an opportunity to pass the heritage of carpets, emphasize its preservation and promotion, and reminding his important role in the domestic and global markets and transfer this treasure to the generation of the treasures to the generation.‌Futures..Let’s look at the events of this great day...

Publish Date : 1404/06/20

Creator : The Iranian public relations unit.

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Look at the signs of the sale and export of the hand-made palm

In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..

Publish Date : 1404/06/20

Creator : Iranian content production unit node

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Our priceless rug is welcome to market.

and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.‌It was forever and what it was like to see the faithful team.‌Drink and drink tea, and drink.‌Milk sales and maps.‌And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.‌It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.‌It was for the city, and we and I were under the roof of the market with that particular architecture.‌They will be comforted and peaceful.‌We arrived.

Publish Date : 1404/12/20

Creator : Guest worker, carpet expert, PhD in Communication Science

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Talk to Ali Mirzazadeh, from international activists of Iranian handmade rugs in Europe

I went to someone who lived the market in five decades of trading, travel, risk, and trust, Ali Mirzazadeh, from the known.‌It was made.‌Iran’s most hand-made rug traders in the global markets, the dialogue that was formed with him, an explicit reading of the Iranian rug ratio with the concept of the concept of Iranian rug.«value.»It was in today’s market..

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Review of Iranian rug value in global markets

A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does not‌It can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.‌I have experienced myself.‌Those who are familiar with the logic of the global economy and with the layer.‌Hidden Cultures and Meanings‌This number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.‌Common: Rereading Iranian rug value in the contemporary market.

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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The goddess promises to give the rug to love Iran

The goddess promises to be a 63-year-old woman and a son of Tehran. She has been known as persistence and hard work since her childhood and spent her education in schools that have influenced her personality formation. Today it is in the field of pharmacy and medicine, a profession that has no relation to carpets. His family does not have any background in this area, except in two generations before, which is the promise of a special place in the family, and the name of Abd al-Malaam is a testament to the walls of Karbala and Karbala..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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The story of my life and the love of the rug, the beginning of an unwanted love

I’m Ala Abdelhamdi, a baffling from childhood, in the rural heart of the province of Ilam, my life was tied to the colors and roles of the hands of local woven. My interest in the carpet, but the beginning was bitter and sad.At age 12, I lost my father. To escape grief, I sought refuge in a carpet workshop that one of his family’s women ran. There, there was a world of girls who created flowers with their magical fingers. But, because of the little age, I could only vacuum and gather the workshop.Every day I looked at those beautiful flowers on the carpet and I was skilled at the deceased. This regret became my motor.

Publish Date : 1404/12/20

Creator : Abd al-Madiq al-Madiq, al-Baqir and the University Teacher

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How to buy on the basis of “value understanding”, not just price

Buying handmade rugs is not the choice of a consumer product, but rather the exposure of time, human skill, culture, experience and individual creativity. However, a significant portion of rug purchases, even at high price levels, end with discontent, doubt or regret. The root of this issue often lies not in the quality of the rug, but in the way of the buyer’s eyes, where the price takes the place of “value perception.”This article is written for hand-made rug lovers, who are not experts, but do not want to buy unknowingly. The first and most important stage in buying carpets starts before seeing any rugs.

Publish Date : 1404/12/20

Creator : ← Expert, producer and hand-made furniture

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Take a look at the most important recent events of hand-made rug.

First event. International Exhibition of Research, Technology and Technology‌Market and advertising, marketing. 1404 Official story of what you are talking about.‌We read: 2020‌The show between‌International Research, Technology and Technology‌Market and 20‌The exhibition between‌International advertising, marketing was held.

Publish Date : 1404/12/20

Creator : The Iranian public relations unit.

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Slow culture of living by looking at Iranian rug | a special dialogue with Saeed Aaris, social and environmental activist, founder of the Algen Foundation

In the midst of the‌colors, colors.‌and subtleties.‌Somewhere in the booth.‌The collection.‌from the«Iran Iran‌node.»In the 18th exhibition, there was a conversation that transcended the play of the character, a meeting in which two deep sights of life and art.—One of the heart of nature, the other from the heart of the dark and the carpet.—They sit together and make a new plan of time.. Sa’alas, Social Active and Environment‌In a conversation with Al-Khal.‌In an intimate but vibrant atmosphere, the sons of Levi were given the words that these days, more than ever.‌We need them: Slow life, bonding with nature, and root.‌In a culture that is a symbol,.

Publish Date : 1404/03/20

Creator : Iran’s content production team.

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Journalism in Iran’s contemporary hand-made rug focusing on the works of Romeola III

Iran’s hand-made rugs in the contemporary era have initiated new cognitive, conceptual and functional experiences, these experiences have created new streams that are required to be categorized as distinct from Iranian handmade rugs.«Iran's contemporary handmade rug.»By emphasising the exact concept of contemporaryity in art, he learned that the contemporary hand-made rug of Iran, at the same time the cognitive, semantic, technical, practical and economic form of Iranian hand-made rug traditions, is a new form of hand-made rugs that is needed to define and accurately define its position, based on the principles of artistic critique. In other words, the word of magic is an unforgivable,‌Subdivision, rejection or exclusion are not the effect, but the nature of critique, the evaluation of artworks, the precise recognition of artistic, aesthetic and semantic characteristics and the discovery and expression of the specific values of the works and achievements of artists and awareness to audiences in contemporary times, audiences in the art world have become an important place, and the artwork of interpretation to use, confrontation and how the audience interacts with this important artistic point of the artwork is prepared.«Each cash is considered strong enough to give them a understandable assessment, in a way that leads the audience to discover the values of the effect.»(Carol, 17: 1393) Another important feature of contemporary art critique is actually the first text and writing of art, and the rest of art writing are always formed after criticism, so the critique is always needed in the most contemporary artwork and its aim is to locate, locate, classify and determine the precise position of contemporary currents in the art world and history of art. One of the most important approaches in Iran’s contemporary handmade rug is to use line and calligraphy as an element of cognitive form, identity and cognitive meaning, which is based on the struggle that this particular current art of contemporary hand-made rugs is recognized with the principles of artistic critique and its proportions to the flow of contemporary art as well as Iranian handmade rug traditions.

Publish Date : 1404/03/20

Creator : Mehdi Farmer, an assistant professor of art research at the University of Teacher Training

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Look at the horizons for sale and export of hand-made silk

In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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Art critique in Iran’s contemporary handmade rug: from the lack of ancestry to the roadmap for the new generation.

Introduction Iran’s contemporary hand-made rug from few phenomena‌In the world of art,‌It can too.‌Cover the floor time and conquer the gallery wall.«Also, too.‌Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.‌It was an economic product and a skilled product.‌Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.‌tradition, tradition.‌Visual and transformation.‌And the taste.‌Beauty.‌← Psychologists.‌O thou who dwells in the centuries.‌In this continued civilization, they maintain themselves.‌and return.‌They are shining. In contemporary times, on this layer.‌Before available, layer.‌new ones.‌And it is the one who has made it.‌Especially in the realm of art, complex.‌On the one hand, contemporary art is made with the logic of concept.‌Question and question.‌No, no, no.‌title of a decorative commodity, which‌as media.‌For an idea.‌The narrative,‌and worries.‌Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.‌The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.‌Traditional ovens are no longer just the means of producing a commodity, but the media itself.‌For the creation of art.‌They come too.‌Time, expansion.«Design design.»to‌The title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.‌It can too.‌Time of a floor.‌A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.‌Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.‌He has become more. This is a few characters.‌Ability through two distinct theoretical concepts but complementary facial expressions‌The first concept,«border object.[2]»Star and Ferrari in the community‌Science is introduced.‌They are concept.«border object.»In this theory, to object.‌It points out that while maintaining its material integrity, it is possible to interpret differently among the system.‌They provide knowledge and social heterogeneity.‌They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.‌It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,‌Along this reading, the situation.«Among the‌It was you.[3]»They will.‌power to‌As a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.‌face stabilized.‌They do not exist, but in the process of continuous exposure and translation.‌They take this situation.‌power in relation to concept.«Third space.[4]»Father's face.‌He said, where the meaning is.‌Liquid space between tradition and modernity, center and around, and the domestic and global production.‌It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.‌power to‌title of a title.«Border object is translating.»He also considered it.‌Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.‌It was shape.‌Take it. Combining these two concepts, the exact picture.‌More of Iran’s contemporary handmade rugs.‌And the carpet, on the one hand, as a«border object.»Between the world.‌There are different social groups and between them.‌Translated.‌On the other hand, as a phenomenon.‌with a feature.«Among the‌It was you.»In none.‌One of these worlds.‌to them.‌Not completely solved.‌And it keeps a unique, fluid and multiple identity.‌From this point of view, the contemporary rug of Iran’s hand-made rug.‌power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.‌It is the boundary that is the horizon.‌The future of the hand-made carpet.‌Maybe the carpet is hand-made.‌It can too.‌Time of a floor.‌Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.‌Based on a design event,‌And none.‌One of these roles.‌They will reject other things.‌You need an analytical framework that can.‌Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.‌It was mostly based on approaches that each given one aspect of this border phenomenon.‌They are research.‌Historical, hand-made carpet to‌As a document from the period.‌Previous studies.‌And cultural and cultural studies, it to‌symbol of Iranian identity.‌Technical and economic approaches also analyze hand-made rugs in a workshop product.‌They are based on the‌Number, raw materials and scalable market mechanisms‌It's also packed.‌Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.‌Regional Biology.‌And they tried to do it.‌Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.‌They are, but nothing.‌One as one.«border object.»I haven’t seen it.‌His identity is not in compliance with a framework, which is right in line.«Among the‌It was you.»And a sail between it.‌shape.‌Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.‌He is a journalist.‌It can be found, not in style.‌Biology, not in analysis.‌Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.‌They are the discourse they make.‌It can not be a few.‌title of a class issue.‌by which,‌The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.‌new ones.‌You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history‌← Style, Style.‌Biology and technical description are separate.‌Not only the method of analysis,‌It's time-consuming history.‌Poetry to the past.‌Do not look at it, nor do it.‌Biology within the framework of known rules.‌to the floor.‌The works.‌Paying.‌In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.‌and possible.‌They will take the future.‌Maybe they are.(Belting, 1987)If history.‌Ask the hand hand-made carpet.«How do you find this magic?‌Does it take?»cash,‌Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?‌Or maybe?»This direction.‌The future.‌Then he turned the cash into a conversation.‌It slows it.‌It can also be with contemporary handmade rug dynamics.‌Take a step, unlike history.‌And the past is fixed.‌Kennedy, it's from the past.‌And the way.‌He will bring them to the new generation, and the horizon.‌new ones.‌Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space

Publish Date : 1405/03/18

Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training

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From the first node under the old oak to the promotion of the weaving between young women and girls, the story of the life of Khadadi Baba, Bacher and Professor of Buffett

Khashoghani, born 1361, is Iran's rug today, a woman whose story begins from a child, from the same day that her small hands struck her mother's first node in the dark. He said, “My story starts from childhood, from the day my small hands shook the first node with hands.”His hometown, the province of Ilam, the village of the bottom, was where under the shadow of old oak trees, the rugs were set up, and life was meant by Tard. It wasn’t six years that she sat next to her mother, her aunt and Mrs. Mrs. Mrs. His hands were shaken, but he was proud. The first node, the new world opened before it, the world in which everything was summed up in the abyss and nodes..

Publish Date : 1405/03/18

Creator : Dr. Abdham, researcher and lecturer

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The story of life in the Iranian rug world is the story of Samantha Godard’s professional path, from young activists in Iranian rug trade.

In the old market of Kashan, under the roof.‌And the light of the light,‌And they have a hundred years old.‌Where the cool of the desert architecture is complex, the stone.‌There is more like a life gallery.‌to the carpet.‌Sales sales.. Its walls have color. it has music.‌He sits on the wall.‌And some of them are on earth.‌They seem like they were in the yard.‌Old in the summer,‌They are wide; they are the same.‌live and full of memories..and the shape of the‌More like telling a life.‌There is a place where the color and shape are complete.‌It will become.When you enter there.‌before, before it.‌Ask the price or even know what.‌You face.‌So, it feels,‌She entered the mental world of someone who was the year.‌To create taste.‌She lived her.. A man from that man.‌There are no ones that are just raised in the market; he looks more like someone else.‌It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.‌Come from this.‌It was not the same world.‌As they gave him, he accepted..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes.

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How could the new generation narrative help develop Iranian rugs for the future of Iranian handmade carpets using storytelling?

Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.‌In each hand-made rug,‌One of the symbols, color.‌mix, mix.‌grading.‌and narratives.‌There are signs that come from the century.‌Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.‌The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.‌The most important tools for achieving this goal are stories.‌A story or a story.‌They say.‌It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.‌New, Digital Space and Method‌New communication, you.‌It can play an important role in this path. In this part of the teaching.‌Handwritten, review.‌How the New Generation Is New‌You can use the story.‌Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.

Publish Date : 1405/03/18

Creator : Expert, producer and hand-made furniture.

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Vision of the Chamber of Commerce for Hand-made rugs

Talk to Iranian Muhammad, head of the Chamber of Commerce, Industries, Mines and AgricultureIn this number of the “super eye” section, we moved to Iranian Muhammad, head of the Chamber of Commerce; a manager with the education of metallurgy engineering and the Master of corrosion engineering who has been active in the private sector and in the field of industry and production, especially the polymer industry. He has a history of CEO management, membership and chairmanship of several manufacturing and industrial units, and his career path from the heart of the industry and economic associations, a path that has finally taken into account with the confidence of the economic activists of the province..Iranian Muhammad is a representative of a generation of private sector managers who have looked at hand rugs not from a purely artistic angle but from the perspective of economics, market and policymaking. The same approach specifies the framework of our dialogue: Iranian handmade rug as a cultural-economic sphere that requires structural reform and look to survive..

Publish Date : 1405/05/03

Creator : Iranian content production group of nodes

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