13 Article found

Ideal Union

In today’s economic world, is one of the most important successful factors for companies, organizations, unions, organizations, and ... the satisfaction of their customers. To satisfy customers, it is imperative that a company, organization and Union define their activities and actions around customer needs, wants and expectations.

Publish Date : 1398/07/15

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Expo 2020 Dubai is a powerful place to improve Iranian rugs in the world

Xp is a major global exhibition currently hosted in the UAE in Dubai from 1 October 2021 to 31 March 2022.

Publish Date : 2643/04/04

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Time, slowness and co-ordination, a different look at Iranian rug | special dialogue with Master of Honours, Lecturer and researcher of Handmade Carpet.

"It is a world that is calm.‌And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.‌He has it.: Time time.A rare and unique element in human life that is not the same.‌He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.‌They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.‌O thou who hast spoken unto me,‌And he who has always taken a deep and different look at the Iranian carpet.‌Fer, Professor of Kashan University and researcher‌The familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.‌But in the depth of the Iranian carpet, they have a strong and historical presence.‌They can restore us to our inner, calm and authentic life again..And they say some of their precious words.‌I will.

Publish Date : 1405/01/22

Creator : The knowledge of the knowledge of the master.

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A hand-made rug, an art that sits on the ground, a dialogue with the wisdom of the farm, Iranian handmade rug designer.

Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.‌random face and seeing a few flowers.‌They are full of magic.‌Hand of hand.‌He became Iranian, and despite his family’s inner desire.‌She decided to take this field at college to college.‌Follow seriously.‌His promise is to fight for art that is not so valuable at university.‌It was, and perhaps art is not known at all.‌He was born in 1385 from the University of Art of Tehran.‌He was taught and walked in a path that was determined to succeed.

Publish Date : 1404/06/20

Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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A narrative of the market; in search of the lost value of the Iranian rug, from the peak of exports to the dust of sanctions.

He is the owner of the land and the owner of the land. In the trade area between‌The name of some people is tied to the blossoming period of an industry.‌He is the 13-year-old walk in the corridor.‌And the full.‌And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”‌They are hidden in the name of the producer and sometimes in politics.‌They lose money.‌It will become.

Publish Date : 1404/12/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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Take a look at the most important recent events of hand-made rug.

First event. International Exhibition of Research, Technology and Technology‌Market and advertising, marketing. 1404 Official story of what you are talking about.‌We read: 2020‌The show between‌International Research, Technology and Technology‌Market and 20‌The exhibition between‌International advertising, marketing was held.

Publish Date : 1404/12/20

Creator : The Iranian public relations unit.

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← Iranian hand-made palms.

Good luck.‌Iran’s hand-made rug has a cuddle.‌It is a great part in the field of research, which is each of the banks.‌That culture and art of the Iranians.‌Good reflection.‌Give it.. History, society.‌Biology, Technology.‌texture and color, design.‌Men and women, human strength, skill, skill.‌Repair and rebuild, economy, idea.‌Creativity and creativity.‌Manufacturers and ... are research topics and approaches that have been attended by the University in the past two decades.‌Favorite researchers and researchers.‌Iranian traditional culture and art have been considered.‌They are..

Publish Date : 1404/09/20

Creator : B. B. Master, a faculty member of the University of Art, Teacher and researcher hand-made rug.

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In the Qur’an, the Qur’an is a reminder of the magic of the earth.

A little over a century of urban rug production.‌They came by the immigrants who came from Kashan.‌This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.‌But in the short term, that is the same.‌Like Cecil Edwards before.‌He saw it, the palm of the mountain.‌reputation and reputation in terms of texture quality, design and color‌Then he turned away.‌species of species.‌You who are today,‌Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.‌There is a quality and beauty that some cities have been copied from the plot.‌colors and colors.‌The carpet.‌From this city,‌They call their names.‌They will do it..

Publish Date : 1404/09/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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In the passages of time: the history of the so-called "peaceful" carpet, the true virtue of the righteous.

In contemporary times, we stand over history.‌We are a lot of texts, images and material objects.‌Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.‌And they are the ones.‌It turns.‌It makes the layer.‌They will reveal the past in connection with each other.‌Create a history.‌Not in the past.‌One of the signs.‌separate, but the system.‌One interaction.‌interference, interference.‌And, too,‌retreat.‌and layers.‌grading.‌It has been a host..

Publish Date : 1404/06/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Art critique in Iran’s contemporary handmade rug: from the lack of ancestry to the roadmap for the new generation.

Introduction Iran’s contemporary hand-made rug from few phenomena‌In the world of art,‌It can too.‌Cover the floor time and conquer the gallery wall.«Also, too.‌Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.‌It was an economic product and a skilled product.‌Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.‌tradition, tradition.‌Visual and transformation.‌And the taste.‌Beauty.‌← Psychologists.‌O thou who dwells in the centuries.‌In this continued civilization, they maintain themselves.‌and return.‌They are shining. In contemporary times, on this layer.‌Before available, layer.‌new ones.‌And it is the one who has made it.‌Especially in the realm of art, complex.‌On the one hand, contemporary art is made with the logic of concept.‌Question and question.‌No, no, no.‌title of a decorative commodity, which‌as media.‌For an idea.‌The narrative,‌and worries.‌Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.‌The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.‌Traditional ovens are no longer just the means of producing a commodity, but the media itself.‌For the creation of art.‌They come too.‌Time, expansion.«Design design.»to‌The title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.‌It can too.‌Time of a floor.‌A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.‌Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.‌He has become more. This is a few characters.‌Ability through two distinct theoretical concepts but complementary facial expressions‌The first concept,«border object.[2]»Star and Ferrari in the community‌Science is introduced.‌They are concept.«border object.»In this theory, to object.‌It points out that while maintaining its material integrity, it is possible to interpret differently among the system.‌They provide knowledge and social heterogeneity.‌They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.‌It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,‌Along this reading, the situation.«Among the‌It was you.[3]»They will.‌power to‌As a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.‌face stabilized.‌They do not exist, but in the process of continuous exposure and translation.‌They take this situation.‌power in relation to concept.«Third space.[4]»Father's face.‌He said, where the meaning is.‌Liquid space between tradition and modernity, center and around, and the domestic and global production.‌It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.‌power to‌title of a title.«Border object is translating.»He also considered it.‌Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.‌It was shape.‌Take it. Combining these two concepts, the exact picture.‌More of Iran’s contemporary handmade rugs.‌And the carpet, on the one hand, as a«border object.»Between the world.‌There are different social groups and between them.‌Translated.‌On the other hand, as a phenomenon.‌with a feature.«Among the‌It was you.»In none.‌One of these worlds.‌to them.‌Not completely solved.‌And it keeps a unique, fluid and multiple identity.‌From this point of view, the contemporary rug of Iran’s hand-made rug.‌power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.‌It is the boundary that is the horizon.‌The future of the hand-made carpet.‌Maybe the carpet is hand-made.‌It can too.‌Time of a floor.‌Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.‌Based on a design event,‌And none.‌One of these roles.‌They will reject other things.‌You need an analytical framework that can.‌Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.‌It was mostly based on approaches that each given one aspect of this border phenomenon.‌They are research.‌Historical, hand-made carpet to‌As a document from the period.‌Previous studies.‌And cultural and cultural studies, it to‌symbol of Iranian identity.‌Technical and economic approaches also analyze hand-made rugs in a workshop product.‌They are based on the‌Number, raw materials and scalable market mechanisms‌It's also packed.‌Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.‌Regional Biology.‌And they tried to do it.‌Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.‌They are, but nothing.‌One as one.«border object.»I haven’t seen it.‌His identity is not in compliance with a framework, which is right in line.«Among the‌It was you.»And a sail between it.‌shape.‌Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.‌He is a journalist.‌It can be found, not in style.‌Biology, not in analysis.‌Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.‌They are the discourse they make.‌It can not be a few.‌title of a class issue.‌by which,‌The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.‌new ones.‌You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history‌← Style, Style.‌Biology and technical description are separate.‌Not only the method of analysis,‌It's time-consuming history.‌Poetry to the past.‌Do not look at it, nor do it.‌Biology within the framework of known rules.‌to the floor.‌The works.‌Paying.‌In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.‌and possible.‌They will take the future.‌Maybe they are.(Belting, 1987)If history.‌Ask the hand hand-made carpet.«How do you find this magic?‌Does it take?»cash,‌Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?‌Or maybe?»This direction.‌The future.‌Then he turned the cash into a conversation.‌It slows it.‌It can also be with contemporary handmade rug dynamics.‌Take a step, unlike history.‌And the past is fixed.‌Kennedy, it's from the past.‌And the way.‌He will bring them to the new generation, and the horizon.‌new ones.‌Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space

Publish Date : 1405/03/18

Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training

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The future that is designed is not a repetition of dialogue with the magic of the New Generation in Iranian rugs.

Magician, hand-made rug designer, including new generation designers, is a career path.‌You are at the point.‌He created many young people today.‌There is a place between choice and doubt, between tradition and innovation, and between what they learned.‌And what they are in reality.‌They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.‌First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.‌The clock.‌They sat down, among the rules of the root.‌Designed, St.‌Historical ideas and ideas.‌He moved and reached a new mix. And the design of the palms.‌You are.‌He knows in it, too.‌Time with an accurate and structured system.‌At the same time, there is also the possibility of creativity and unconsciousness of the artist.‌A kind of reflection is the status of a generation that must be a legacy of consolidation.‌Revisioned in a changing world. Professional path.‌O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.‌In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;‌He says, second.‌to‌The second was learning for him. He goes on with different manufacturers in style.‌Different regions and regions.—From the place to the right,‌And the tribes.—He has collaborated and this diversity is one of the most important.‌The biggest growth factors are growing.‌Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.‌between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.‌It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.‌ideas, idea.‌There are signs and images.

Publish Date : 1405/03/18

Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design

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Iran’s future landscape, from its existential wisdom to sustainability in the global economy.

In this number of sections.«Eye eye eye.‌Saving savings.»He said to him.‌We went to an understanding of the future of the Iranian rug, which is based on a vision.‌Mr. John Al Isaac’s Cultural and Economic Affairs, President of the Strategic Council of Iranian Handmade Carpet and said beyond one.‌And the magic of the soul,«Iranian historical wisdom.»and«necessity.‌Today’s global economy»They would eat.‌He is paying attention.. Al-John.‌Isaac from the face.‌Known.‌Economy and politics.‌Investing in Iran is that his look at Iranian hand rugs is not purely from an artistic or heritage perspective, but rather as a form of a heritage.«Economic-cultural ecosystem.»Analysis.‌To survive and compete.‌Tolerance requires the redefinition of the production structure, transparency in the value chain, and an effective connection to global markets, at this glance, the Iranian rug is a living system of production, design, commerce and meaning that if it comes out of the orbit of the contemporary economy, it will gradually move away from its global position.. The main axis of this said.‌It is a reminder of what they say.‌Its power.«Wisdom is in the dark and in the right place.»He called the historical wisdom.‌You who are during the century.‌in important places.‌Iran is formed and is facing a serious challenge today: how to turn this heritage into a sustainable economic advantage in the world of network networks.‌O, data,‌and full-hearted,. Based on this, this eye.‌Saving is trying.‌To reshape the ratio between the past and the future in Iran’s hand-made rug, from one.‌And with an emphasis on the value.‌Iranian civilization and cultural identity, and on the other hand, focusing on necessity‌Like economic transparency, infrastructure development‌Intelligences, the role of the new generation, and the reestablishment of handmade carpets in contemporary life. What continues.‌It is a path to cross the crisis.‌and to reach a pattern in which«Iranian rug.»They can too.‌Time to carry meaning, identity and economic value on a global scale.

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes.

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