Iran’s rug – the world’s privileged place and its view

. I have a treasure and a dinar, as well as the rug of Diba and anything else, “the place of Iranian rug is great among the hands of other nations.” This is the fact that the artists and carpets of the world are based. This high place is not simply, but with the great suffering of the fans and other obscure artists of the rug over the centuries, in the dire situation of their lives. Today, Iran’s rug position, whose environmental conditions have changed to improve, and the tools and tools of working in the production cycle, is the evolutionary process of natural woven: not only must be maintained, but must be deployed on a higher peak than ever before, and backed by consciousness and in all ways. It is obviously otherwise that rivals across the Git as they have been seen over the past half century will threaten the position of the Iranian rug. Our country’s privileged position is unfortunately threatened by internal social factors more than any other destructive phenomenon. Some of the most threatening factors include (1) irregular migration, especially the young rural and tribal generations, which are often carpets, to cities in the hope of the use of the growing apparent well-being of these population centers, and as a result of the lack of skilled workers who have found that because the reduction of skills, the lack of labor power, the wage increases workers’ wages. The fall of the quantity of raw materials, including wool and color and replacing synthetic fibers and chemical dyes, rather than the natural types that this factor has a social root and damages the well-known reputation of this handmade. To restore the position of Iran’s rug, this longstanding art and the industry of the country’s foundations to its world-class noble position requires careful and calculated planning and comprehensive scientific, social, industrial and technical measures. You can take the following from these actions. First, basic and long-term issues: A-creating scientific and practical centres: these centers arise at primary levels to excellent stages in the various aspects of the rug with the following tasks: 1- Educating Masterworkers and researchers in each of the design, coloring, reverberation, texture, and marketing disciplines. (2) In order to replicate and improve the functional method of the plant materials. This practice stabilizes “the knowledge of the rug” and discusses the rug and its subsequent industries scientifically and makes it interested in the organization of sustainable people. (b) To establish a powerful and competent institution in the labour of the rug in order to: (1) the supervision of the Iranian carpets and relevant institutions and to formulate the necessary policy on the development and promotion of this art and industry and to observe the correct implementation of the policy. 2- Supervisoring carpets in the passion of the development stage of the provision of raw materials to the provision of the plan and map and then the texture and marketing and the creation of exhibitions in order to introduce the Iranian rug. • To help establish side institutions in order to help carpets such as credit banks and carpets information, companies and cooperative unions, etc. Second, immediate and short-term actions: A- Preventing the arrival of wool and odour colours and encouraging domestic livestock to replicate livestock from the chosen wool race and sharpen the development of coloring plants and distributing the fine materials between rugs through responsibilities institutions. (b) the implementation of the guidance programs of carpets, especially the villagers and tribes, through the dispatch of experts to the centers of texture, as well as radio and television. (b) To prepare promotional and print papers in different languages to introduce and present the facts and characteristics of Iran’s rug to the world and participate in international exhibitions and seminars in order to open the funds of Iran’s handmade rug superiority. study of important markets of carpets and the development of the marketing of this artistic product. To formulate the necessary provisions and rules around: 1- Register designs, maps and other references of the staff in the Special Bureau, called innovators to encourage artists to present their valuable theories. Prevent fraud in carpet work. 3) Public insurance of all people who have employment in the work of rugs and its lateral jobs.