The artworks of the people around the world, including painting, turbulence, division, work-off, tile-making and tile-work, miniature, optimism, and rug-coloring, which is the abstract and extract of the carpets, show that nature has always been inspired by artists in creating art and valuable works, the entire role of artists with the use of the source of nature in the history of the Iranian rugs, and the role of such a group of scholars as the number of the role of the number of the number of the number of the number of the number of the number of the number of the design, and attributes of the paintings, and attributes of the number of the number of the number of the design, and attributes of the number of the number of the number of the design, and attributes of the number of scholars, and attributes of the number of the number of the number of the design, and attributes of scholars. For example, the carpet with the plan of the smear and smears that have a full choice, according to the three factors such as the illustrative, multi-layered, and tributary lines, can be described in different ways as well as the roles of the rug subtypes, including flowers, plants and real and imaginary faces. Second, “how to see” the viewer is effective in detecting the layout of a rug because the points and lines of the rug’s attention vary from different viewers’ views. Research carried out on the types of Iranian rug design and the ideas of rugs shows that the rug layout woven by the people of this land is inspired by the following factors: A- nature around the Bavarian and its designers and figures, including flowers, plants, trees, sights, animals, objects and so on-lines, surfaces, volumes and shapes. In this book, according to the factors of Iran’s rug designs, two parts and eight main groups are divided into the following: the first section: the plans inspired by natural factors and include three main groups: the first group – Iran’s rug plan with the main role of lines, surfaces, bodies, and objects. The second group – Iran’s rug plan, with the main role of the real or imaginary face of the owners. Third Group – Iran’s Carpet Plan with the main role of green and famous nature to it. the second part – the plans that are named according to the human hands, including the role and role of the rug or the location of the design and texture or the name of the tribe and tribes or the roles of the historical, religious, religious, religious, religious works. These plans are described as the five main groups: the Iranian rug design, known as historical, religious, religious. b: Iran’s rug plan, known as the elves and tribes and individuals.p: Iran’s rug design known as cities and places. T: Iranian rug design, known as its role and role: the Iranian rug design is integrated and adapted.